This is the second of the blank books I am working with to create a series using imagery of trees and birds. I don’t think this one is as successful as the first book and the more I look at the finished product the less I like it. The different elements don’t quite come together and the branches look like antenna sticking out of the top of the book. I think I will work on this one a bit more…

The cover image is another of my black & white tree photos taken with a Holga camera. I wanted to have the doorway cut directly into the trunk of the tree to create a sense of shelter for the nest inside. The two yellow feathers are from Yuuki the lovebird and the blue stone is actually a heart-shaped piece of beach glass I found on Bowen last year. The nest came fully formed from Michael’s craft store, where I went a few weeks ago looking for supplies.

After gluing the pages together with gel medium I used a drill through the top of the book to create holes for inserting the branches. It worked better to start with a small drill bit and slowly make the hole larger rather than starting with the correct size. The paper didn’t have much resistance against the larger drill bit and I had to be careful not to destroy the book in the process.

I really like adding a little “something” to the sides of the book as a finishing touch to break up the white space, and have used rubber stamps on the last two books.

Materials used: blank book, ink jet print of holga photo, gel medium, tree branches, lovebird tail feathers, nest, beach glass, acrylic paint, rubber stamp and ink, decorative paper, and door transparency.

A few months ago my friend Siobhan gave me eleven blank books to work with and turn into altered books. I’ve been pondering what to do with them and finally decided to take the plunge and actually explore ideas instead of just thinking about them. Each book is about an inch and a half thick with a plain white cover and pages, and began life as a stand-in dummy for Harry Potter books. I’ve never had so many of the same kind of book at my disposal so I’m hoping to use their uniformity to turn them into a series.

Because these books have spines that are glued together to attach the pages it limits what I can do because they aren’t as flexible as a stitched binding. I decided to cut through the cover and create a niche inside the pages and used the shape of the door frame as my guide. When I started cutting I wasn’t sure what I would be putting into the book but I wanted to do something with birds. I cut about half way through the book then glued and painted the pages together. The three birds were chosen, cut out and inserted between the pages with two layers of different tissue paper as a background inside the niche.

The image covering the outside of the book is a black & white double-exposure photograph taken with my Holga a few years ago. At first I attempted a gel medium transfer of this on the cover using an inkjet print, but the paper on paper transfer didn’t work so well. I settled on attaching the print itself to the cover and coating it with gel medium to create texture and a protective coating. The door frame is a transparency and I painted the back side of it white so it would stand out more strongly from the background of the tree branches.

As I was about to attach the branch along the left side of the cover I decided to add three leaf-shaped glass beads to give it a bit of colour. The leaf pattern along the sides of the book were added using a rubber stamp and ink and also add life to an otherwise blank space.

Materials used: blank book, print of double-exposed holga photo, paper birds, blue tissue paper, acrylic paint, rubber stamp and ink, gel medium, driftwood branch, and three leaf-shaped beads.

I love buttons and have a small collection I’ve been holding onto for a long time. Some of these are ones purchased in Toronto years ago, while others come from Dressew and Button Button. A small number were scavenged from my mom’s giant tin of buttons, and a collection of sewing fixings given to me by Boris’ mom Anne.

When I was trying to brainstorm a new altered book I pulled out the buttons, along with other materials, and played around with them as I decided on what I wanted to do. I settled on the buttons because the colours and textures appealed to me and I also thought I’d finally tackle some experimenting with sewing on paper.

The irony of choosing so many buttons to work with in this book is that I hate sewing buttons. It’s one of those small tasks I tend to procrastinate, and it takes me FOREVER to get around to reattaching one when a button has fallen off my clothes

Sewing through the pages working well even though the paper was old and brittle and not as forgiving as fabric. I think layering sewing pattern paper on top of the page helped to reinforce it slightly. The piece of paper I chose happened to explain different symbols found in sewing patterns including that of buttons and other fasteners. I added the red threads as a finishing touch, winding them around the three flower buttons and attaching them to the back of the book.

Material used: book, sewing pattern paper, red cotton thread, fifty buttons made with a variety of materials, glue, and gel medium.

This is one of those pieces where I began without a plan and just followed wherever the book wanted to go. I wanted to create another folded page book using the same fold pattern as I did in a previous work but I had no idea where I would go from there. I tend to select objects and materials to inspire the direction of the work, but this time I didn’t do that.

This is a book of four hundred and thirty pages which means I folded about two hundred pieces of paper. When I finished folding I played around with the paper further and eventually decided to roll the pages underneath one another. I added colour and pattern using a rubber stamp, first in yellow and then in green. I actually had the whole thing close to completion when I decided the yellow wasn’t strong enough colour over the text. I had to go back, unroll all the pages, rubber stamp them, and then roll them again. The butterflies were the final element and their bright colours are the perfect compliment to the crazy folded background.

Materials used: book, rubber stamp and ink, paper butterflies, and lots of glue.

I bought the four little old men made of clay on an impulse back in the fall. I was killing time in one of those everything-and-the-kitchen-sink Asian shops one rainy day, and decided to look for tea cups to use in an altered book. I found the tea cups and decided little clay men would be a good purchase as well. Last week when I began brainstorming ideas for a new altered book I brought them out and decided I needed to make them a cherry tree to sit under.

The little men are slightly set into the book, which is the least noticeable part, but took me a few hours to cut the four niches into the pages. The blossom flowers were made by using a paper punch and then stringing them together with a needle and thread. I used origami paper for both the flowers and the lovely blue background. The tree trunk is a rolled up page within the book with ink rubber stamped to create bark texture.

Materials used: book, origami paper, clay figures, rubber stamp and ink, and lots of glue.

Those tiny bottles I started working with a few weeks ago have all been filled with things and have at last made their way into an altered book. I raided the spice rack for the bulk of the filler, selecting herbs and spices based on colour and texture. One of the bottles is filled with tiny seeds from Yuuki‘s food. I decided to fill the brown bottles with random inedible items and have something sticking out the top of each because they are too opaque to see inside.

When I first envisioned the bottles in a book I thought I would put them in orderly rows as if they were on shelves, but as I started to create the composition it seemed more interesting to stack them and have the rows overlap. I had to decide exactly how they would be arranged before I could start cutting into the book, and I had to maintain the same arrangement in order to make them fit back in.

The bottles inspired thoughts about alchemy, potion mixing and magic so I used this as the jumping off point as I chose the finishing touches for the composition. The book is lined with sewing pattern paper with lines and symbols that make me think of star charts, and the colour of the paper seems old and yellowed. Every other object I chose is metallic – various coins, a locking mechanism and a key – to tie into the transmutation of metals often associated with the art of alchemy. The copper coil in the center of the book was made by winding wire around a skewer. I added the same copper wire to the seven brown bottles because they looked too plain as they were.

Materials used: book, sewing pattern paper, locking mechanism, coins, rusty key, glass bottles, copper wire, dried flowers, metal chain, pencil crayon, bamboo stick, map fragment, book page fragment, feathers, bird seed, and various herbs and spices.

As mentioned in a previous blog post, rummaging through my art supplies inspired me to create an altered book with fish. It may just be that I have fish on the brain lately, but rummaging through my supplies reminded me of the gold paper fish I’d bought from Urban Source over the summer. It was high time to use them. I added the red colour to each fish using ink because I didn’t like the plain gold, and now they unintentionally resemble salmon.

I wanted to create a sense of water moving, of waves crashing with the pages, so I began to play around with folding the pages under one another. At first I was only going to do part of the book, but then the more I did, the more it made sense to fold every single page. The Japanese paper I used on the end pages reminds me of the pattern created when raindrops splash into the still water of a pond or lake. The finishing touch of the book was to add the red and white flowers, which were created using a paper punch.

Materials used: Japanese paper, book, flowers made with a paper punch, rubber stamps, ink, and metallic paper fish.