Geometric gel pen drawings

While hanging around in my studio during Culture Crawl this past weekend I decided to work on a few gel pen drawings so visitors could see how I work. The first one I started sold before I could even finish it because someone liked it as it was, and I was okay with the drawing’s unfinished state. I was happy a few of these doodles found new homes on the weekend because they’ve been an experiment for me.

The circular one pictured here is the second of these drawings I began over the weekend, but wasn’t able to get very far with it until yesterday. I like making shapes with these doodles, and this one in particular resembles the twinkling crystalized surface of a planet.

Drawing with white gel pen

Drawing with white gel pen - detail

Drawing with white gel pen - detail
The finished size is 8.5″ x 11″, with white gel pen on black card stock. This is available for purchase in my Etsy shop »

The second drawing is one I’d originally created for the show I have up at Kafka, but there wasn’t room for it in the end. It was an experiment in exploring a shape other than a circle.

Drawing with white gel pen

Drawing with white gel pen - detail

Drawing with white gel pen - detail

The finished size is 8.5″ x 11″, with white gel pen on black card stock. This is available for purchase in my Etsy shop »

I’m offering a 30% discount in my Etsy shop until December 5th, but only on older listed in the sale section of my shop. I really want to clear out the backlog of inventory, including owl altered books, and a few paper cut pieces from last year. Use the coupon code STUDIOSALE2014 to get the discount at checkout.

Doodling to the Moon and Back

Last week I was feeling like all the work I needed to do for my upcoming show was ready to go, that is until I visited the venue again. I decided I needed a few more pieces to properly fill the space, and one of these needed to be large. I decided this was a good opportunity to work on a large gel pen drawing, which turned out to be a bit of an endurance test.

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I used a white Sakura gel pen to draw on a piece of black 98 lb Canson paper with a light texture. I didn’t like drawing on this paper as much as the card stock which has a smoother surface to work on. The diameter of the circle is 13.5″ on 17″ paper, and I drew it over the course of about four or five days.

I’ve never spent so much time drawing, but my hand did not end up feeling as sore as it does when I’ve been doing too much paper cutting. That seems to take more effort.

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I shared the collage of the four in-progress photos on Instagram a few days ago, and a few people expressed liking the incomplete versions. I like them as well, but I really wanted this one in particular to be a circle.

And just like that it is now framed and ready for the show.

Doodle Evolution

The other week I bought a white ink Sakura Gelly Roll pen from Opus on impulse, and my doodling addiction was refueled. I tested it out on a piece of scrap card stock in black, and knew immediately I needed to do more.

Doodle evolution

Doodle evolution

This series of drawings combines all the shapes I often doodle on repeat individually into one crazy composition that plays with the eyes. The white ink on the black paper seems to glow. The drawing above is the first of the full size pieces I did on 8.5″ x 11″ cardstock.

Doodle evolution
Doodle evolution

After the first drawing I decided to work towards a circle as the end result. Pictured above are the first two of these doodle clusters, both of which I completed in one sitting.

The latest of these I worked on over a few days because I didn’t have enough time to work on it in a single sitting. The photos below are how the piece evolved as I worked on it.

Doodle evolution
Doodle evolution
Doodle evolution

In the process of working on all of these drawings I’ve used up the first Sakura pen I purchased and returned to Opus to buy more. These pens feel so lovely to move across a smooth surface, which is why I love to draw with them.

I am very pleased with this series of drawings and have decided to include some of them in my upcoming show at Kafka in October. More details to come about that…

Working In Layers and Dazzling the Eyes Part 2

I finished this second layered paper cut work a few weeks ago, but just didn’t get around to sharing it here until now. The papers I used for this work are a 98 lb lightly textured paper by Canson, and the final size is 19.25″ x 19.25″ to fit into a shadow box frame.

photo 1 (9)

photo 2 (12)

The bottom layer is white paper while the top layer is actually an indigo colour much darker than what is pictured here. My intention with the second layer of this paper cut was to make to less elaborate than the previous one I shared, but I didn’t really succeed. I’m not very good at pulling back on making these designs less intense than they are (as you can see from the detail photos).

photo 3 (3)

photo 4 (1)

photo 5

The final image is of the two layers flattened together. This piece is already framed and has the two pieces of paper mounted with space between and the cast shadows add more depth to the design.

Working in Layers and Dazzling the Eyes

For the last few weeks I’ve been concentrating my paper cutting efforts on a series of larger pieces with two layers. I’m working with heavier and larger paper than usual, a 98 lb with light texture from Canson. These are being made to fit into 19.25″ x 19.25″ white shadowbox frames, with about an 1.25″ depth.

Work in progress paper cut

Work in progress paper cut-2

These are quick work in progress photos of the first of these pieces. The bottom layer is white paper to be backed in red, while the second layer is red paper to be backed with white. You can see the full size of the paper I am working with and how it overflows the easel. The tricky bit has been to not wreck the piece while I work because I rotate the material as I cut.

Work in progress paper cut-3

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The final image here is of the two pieces layered flat together, but my intention with the framing is to give them space and allow for the play of light and shadow. At this is smaller size the whole thing is pretty intense on the eyes, which I rather like.

Sketchbook Peek: Paper Cut & Drawing

A preview of two experiments in my sketchbook combing paper cutting and drawing that recently led to finished pieces (not pictured here).

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These are small, about 4 or 5 inches square, and I used those metallic gel pens I so love to draw with. The tiny circles are just the thing I often doodle obsessively, and once filled a page with them using pencil.

I’ve decided to include a series of small pieces like these in my upcoming fall show.

Work in Progress: Triple the Double Triangles

This is the last of the reworked paper cut designs from recent weeks. Now I can finally move on to create new work. Pictured here is how this one looked before I decided it needed a little more something. When I finished this initially it looked boring and incomplete, so I decided to add more triangles.

Work in progress paper cut design

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I added two small triangles offset from one another along each side, cut in the same elaborate style. When I was finished this time it felt complete.

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Updated triangle paper cut piece

The finished size is 14″ x 17″, and is hand cut from Strathmore drawing paper. The coloured papers underneath really make it pop.

Work in Progress: Concentric Triangles Redo

This week I’ve been revisiting some of the recent paper cut work because a few of these have felt unfinished. Yesterday I reworked the concentric triangles paper cut I shared about a month ago, and added one more layer to its design.

Work in progress paper cut

The original version is pictured above. I’ve had it hanging in the studio for weeks and I started to feel it was a pretty dull piece despite the elaborate cutting. What it needed was another concentric triangle to complete the composition.

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I worked from the top down, and this outer layer is thinner than the others because I didn’t have enough room for a thicker line. The bottom corners of the triangles are angled rather than straight for this reason, but I think it works.

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Concentric Triangles

The finished piece is 14″ x 17″, hand cut from a piece of archival Strathmore drawing paper. I can wait to get it framed and let it really shine.

Work in Progress: Cut Paper Double Triangles

Progress on my upcoming show this fall has been going extremely well. Yesterday I lay out all of the pieces I’ve created so far to take a look at how they will hang together, and I was surprised to realized I’ve completed so many.

Work in progress paper cut design
Work in progress paper cut design

I finished this double triangle piece late last week. Looking at it yesterday I decided it needs a little more “something” to the overall composition because it feels unfinished to me and a bit boring. I played around with different papers behind the design as I was working on this.

Work in progress paper cut design
Work in progress paper cut design

Work in progress paper cut design
Work in progress paper cut design

The finished piece is made with Strathmore Drawing paper, and is 14″ x 17″ in size.

Work in progress paper cut design
Work in progress paper cut design

Work in Progress: Triangle Shaped Cut Paper

I was inspired by the concentric circles piece to explore other shapes within shapes. I really want to do squares within squares, but first I worked with a triangle.

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I decided from the start to focus on creating clean outer edges and corners because it makes the design stronger. I went with two triangles rather than three but I think it would look more interesting if there was a third shape surrounding these two.

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The finished piece is 14″ x 17″, cut from a piece of archival white drawing paper. I backed it with both blue and red paper for a quick photo, and to compare the two colours. I think the blue is actually stronger and more striking in this case.