Work In Progress: Repetition and Pattern in Blue

For one of the recent proposals I started roughing out an idea for an installation inspired by this classic Japanese textile pattern of repeating scalloped shapes. The version I started with looks dramatically different than the rest of the work in progress I am sharing here, but it was a rough prototype. I chose five different shades of blue paper to work with and have been playing around with patterns to incorporate into the piece, as well as spacing, and overall assembly.

Work in progress

Work in progress

Work in progress

Work in progress

These are four variations as I play around with adding more patterns to the pieces, and whether or not to cut all the shapes or leave them mixed with uncut pieces. I’m really enjoying working with colour in this. I think I’ve cut about eighty individual pieces of paper into a scallop shape with the goal of assembling a sizeable finished piece.

The Tree of Life At Lipont Place

These are photos of some of the wonderful art in Tree of Life at Lipont Place in Richmond. I went to see it last weekend and left feeling super excited and inspired by all of the incredible work. It’s a traveling show predominantly featuring textile art by fifty-eight master artists from twenty Asian countries.

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

From the Lipont Place website:

The Tree of Life is an archetype, theme, motif, image, spiritual concept and mythological story that is found across cultures and throughout human history. It is understood to connect all forms of creation and is a cosmic conception that embodies life’s mysteries, unites the heavens, the earth, and the underworld, and is seen as a representation of everlasting life. Its various interpretations from indigenous cultures and major religions have influenced art, architecture, and visual representation for millennia.

This international exhibition explores the ways in which the Tree of Life has been represented in 20 countries across Central, South, East, and South-east Asia and includes the artwork of 58 artists and craftspeople, many of whom are masters of their chosen form and some who are Living National Treasures in their countries of origin. The artworks are as diverse as the cultures they originate from and are both traditional and contemporary. They are handcrafted from natural and sustainable materials, and include textiles, paintings, ceramics, weaving, leather, lacquer ware, jewellery, stone, wood, and metal.

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The Tree of Life exhibition at Lipont Place, Richmond

The show continues until Tuesday October 10th. Read more about it on the Lipont Place website.

Pattern Play with Upcycled Envelope Paper

I created these pieces two weeks ago for an artist call application, and have been inspired by their mix of colours and patterns ever since. I shared work in progress of one of them in a previous blog post about revisiting recycled paper from security envelopes in my work again. It was a pleasant surprise all of this pattern mixing works as well as it does. Both pieces are approximately 9″ x 9″, and will go nicely into 12″ x 12″ shadowbox frames.

Pattern play

Pattern play

The pieces are inspired by a few different things, including quilting blocks and granny squares. I realized recently I should just acknowledge I am heavily inspired by textile art design and process in my approach to creating art from paper. I’ve been thinking a lot about how to bring my modular approach to installation in the type of work I create to fit into frames and hang on a wall. These two pieces feel closer to those ideas.

Pattern play

Pattern play

I had a lot of enjoyment in making these because I had to pull it together in a short amount of time in order to make a last minute deadline. I couldn’t over think it, so I made decisions about composition, material selection, and pattern choices as quickly as possible. It felt really good to work that way.

I want to make more of these pieces because I have lots more security envelope paper to make use of. In the meantime, my fingers are crossed these two get accepted into the show I submit them for.

Sculptural Work by Mo Kelman

I attended a lecture by Mo Kelman at the beginning of September as part of Maiwa School of Textiles fall schedule, when they bring in a new round of out of town speakers to teach and talk. Kelman is an interesting choice for Maiwa because while she does use textiles in her work, her approach is non-traditional and not at all functional.

I went back a week later to view her show at the Silkweaving Studio on Granville Island.

Work by Mo Kelman at the Silkweaving Studio, Granville Island.

Work by Mo Kelman at the Silkweaving Studio, Granville Island.

It was great to see her work in person so soon after the talk because photos don’t quite do justice to them. I loved these amazing sculptures that use bamboo structures, nails, thread, fabric, and sometimes sausage casing (!) to create abstract organic forms stretched across the wall. The shadows cast by the forms were an import element to the work as well, but maybe it’s because I love a good shadow.

Work by Mo Kelman at the Silkweaving Studio, Granville Island.

Work by Mo Kelman at the Silkweaving Studio, Granville Island.

Unfortunately, you can’t go see the show yourself because it closed on the weekend but you can check out more work on Mo Kelman’s website.

Work In Progress With Envelope Paper

I’ve been focused on writing proposals rather than producing work over the last few weeks, but an opportunity that came up last minute with a short deadline led me to some very productive studio time this week. I needed to create a piece using recycled materials, which is something I used to do more with my altered book work. Luckily I still have plenty of reclaimed paper tucked away in the studio and I realized my collection of security envelopes was the perfect thing to use.

Work in progress with envelope paper

I’ve never used patterned paper in my cut designs before because I tend to think it’ll be too busy when combined with an intricately patterned composition. Based on the work in progress pictured here, I was wrong. It works really well.

Work in progress with envelope paper

This is one of the two pieces I created for the call for artists that was due last Friday. It explores an idea I’ve had in my head for about nine months combining patterns, and taking inspiration from quilting blocks. It was good to find a new way to use security envelopes in my work because I’ve always found the material extremely compelling, and I have a box full of it still to make use of.

10 Good Things From The Weekend

I used to do this series of posts on my previous blog called, “10 Good Things From The Week/Weekend”, that I’m hoping to revive here going forward. The past few months have been a struggle on many levels, and it’s been important for me to focus on the good things in my life and cultivating a sense of gratitude.

So here goes…

  1. Having plenty of unplanned time that I easily filled up with plans
  2. Visiting the Richmond Night Market with friends and eating all the things
  3. FaceTime with my mom
  4. Finishing two really good books by the end of the weekend
  5. Seeing Mo Kelman’s excellent show at the Silk Weaving Studio
  6. Wandering Granville Island with Boris on a warm sunny Saturday
  7. Catching up with Simone over tea and coffee on Saturday morning
  8. Handing over the proposal I’ve been worrying over for the past few weeks
  9. A long much-needed nap on Sunday
  10. Steak for dinner, made by Boris

Work in Progress: My Third Tyvek Scroll Completed

I ended the summer by finishing work on the third tyvek scroll. In the photos shared at the beginning of August I’d completed the larger design elements and the next stage was to do freeform cutting over the entire length of the piece. I chose to work on the floor for this part because I wanted to lay the tyvek flat so I could get a better sense of how the design flowed from end to end.

In the photo below you can see the container beside my work in progress full of off-cut pieces which I’ve collected during the making of this piece. I don’t usually do this but early on I decided to try and keep most of the tyvek bits, with the intention of using them in a related piece of work that still needs fleshing out.

Hand cut tyvek scroll

Hand cut tyvek scroll

I found this part of the work challenging because making a random pattern is hard for humans. Working on the floor was also not great for my back and knees so I made sure to take lots of stand up and stretch breaks.

Hand cut tyvek scroll

The finished piece is lovely and feels the most like a piece of textile art out of the three pieces. I was surprised by this when I finished it.

It feels amazing to bring this small series of three large pieces of work to completion after two and a half years. I’m already working on where and when to exhibit them all together next year.

Portrait Lab and Drawing with Thread

I went to see the latest show at the Craft House on Granville Island yesterday evening. It features the embroidery work of Eleanor Hannan, as she explores the subject of portraiture and uses thread and stitching as a tool for drawing. The work is a mix of stitching by hand and machine with lots of lovely intricate details.

Eleanor Hannan at Crafthouse Gallery, Vancouver

Eleanor Hannan at Crafthouse Gallery, Vancouver

Eleanor Hannan at Crafthouse Gallery, Vancouver

Eleanor Hannan at Crafthouse Gallery, Vancouver

Eleanor Hannan at Crafthouse Gallery, Vancouver

I think the final two pictured here are my favourites from the show because of her use of colourful fabrics and collage-like appearance of the figures.

The show continues until September 28. Read more about Eleanor Hannan in this interview by the Craft Council of BC.

Cute Fox Embroidery Kit by Kiriki Press

I bought this embroidery kit by Kiriki Press at the Paper Place when I was in Toronto earlier in the year. I loved the cute design and thought it would be a good practice project to brush up on my embroidery skills. But when I started working on it in July I was really frustrated by the small scale and having to follow a pattern. I set it aside for most of the summer and then decided to have another go at it this weekend.

Kiriki Press embroidery kit

Kiriki Press embroidery kit

I’d been lamenting my lack of productivity last week so I really wanted to work on something. I somehow managed to get past my frustrations with this kit when I took it out on Saturday, and made my way through all of the embroidery by mid-afternoon on Sunday. This was between going out for walks, naps, swimming at the beach, reading, and eating. I learned new stitches – the chain stitch and the ladder stitch – and fell in love with the little fox in the process.

Kiriki Press embroidery kit

Kiriki Press embroidery kit

The kit comes with a back piece and stuffing to turn the fox into a very cute little softie. She is about six inches high, and is a lovely addition to my small collection of handmade toys. The first I’ve made myself!

Uninterrupted Under The Cambie Bridge

Uninterrupted is a stunning video installation that has been playing under the Yaletown side of the Cambie Street Bridge all summer, in Cooper’s Park. I saw it for the second time last night with friends.

Uninterrupted

Uninterrupted

The 25 minute video is mapped to the pillars and underside of the bridge, and follows the migration of Pacific Salmon from beginning until their sad end. The image above shows the projector doing a mapping test before the performance started, which was pretty interesting.

Uninterrupted

I shot a few stills during the performance but mostly I wanted to enjoy it without a camera in the way. The imagery begins and ends in a cityscape but is mostly water and salmon at different stages of their lives. It’s awe inspiring and magical.

Uninterrupted

Uninterrupted

Uninterrupted

Performances of Uninterrupted continue until September 24th, and the start time is currently at 9pm. This may shift as it gets later in the year and the sunsets earlier. I recommend taking a blanket and small pillow because it’s best viewed while lying down.