Recommended Reading: Indigenous Authors & Stories

I was inspired by the National Day for Truth and Reconciliation to pull together a reading list of books by Indigenous Canadian authors. These are a mix of non-fiction and fiction books I’ve read over the past three or four years, that are important books to read in coming to an understanding of the lived experience of Indigenous people, the continued effects of Residential School, and intergenerational trauma.

If you’re afraid to read about the hard emotional stuff that other people have gone through, please push past it. It was harder for them to live it than it is for you to read it. Indigenous people need our empathy and understanding in order for all of us to move forward.


Five Little Indians, by Michelle Good – Tells the story of five children and their cruel experiences of Indian Residential school, and the ripple affects in their lives after they leave.

Noopiming: The Cure for White Ladies, by Leanne Betasamosake Simpson – a beautifully written non-narrative story combining Indigenous mythology in the modern world. It’s a striking and unusual book.

Braiding Sweetgrass, by Robin Wall Kimmerer – This book was a huge hit in 2020 for the beautiful writing about the natural world through the dual lenses of science and Indigenous knowledge.

A Mind Spread Out on the Ground, by Alicia Elliott – An intimate autobiography sharing the authors experiences of growing up severely underprivileged, experiencing intergenerational trauma, struggling with mental illness, and finding her own voice through writing.

Empire of Wild, by Cherie Dimaline – A terrific work of fiction centred around the Métis story of the Rogarou, a were-wolf like creature of legend. A woman’s search for her missing husband, who mysteriously disappeared for over a year, and his sudden reappearance in an unexpected place.

This Place: 150 Years Retold, by multiple authors & Illustrators – a graphic novel anthology exploring the last 150 years (published at the time of Canada’s 150 anniversary) from the perspective of Indigenous peoples under the thumb of colonialism. There’s now also a podcast called, This Place, based on the graphic novel.

Split Tooth, by Tanya Tagaq – The book moves between fiction and memoir, myth and reality, poetry and prose, and conjures a hauntingly beautiful arctic world. A strange and unusual book by Inuk musician and throat singer, Tanya Tagaq. 

The Break, by Katherena Vermette – A family saga told from multiple perspectives, and centred around the witnessing of a violent crime. It explores intergenerational trauma, and the relationships between three generations of women of the same family. 

21 Things You May Not Know About the Indian Act, by Bob Joseph – The title is pretty self-explanatory. Definitely read this if you want to understand more about how the Indian Act has effected the lives of Indigenous Canadians.

The Inconvenient Indian, by Thomas King – This book is at once a “history” and the complete subversion of a history—in short, a critical and personal meditation that the remarkable Thomas King has conducted over the past 50 years about what it means to be “Indian” in North America. (This is an excerpt from the summary on Good Reads).

Nishga, by Jordan Abel – A moving work of art exploring identity, that tells the story of Abel’s lived experience through a collection of documents, transcripts, and letters. I find this book really difficult to describe because it defies categorization. 

Moon of the Crusted Snow, by Waubgeshig Rice – A fictional story of what happens in a small Northern Community when the power goes out, and the end of the world may have happened.

Buffy Sainte-Marie: The Authorized Biography, by Andrea Warner – The amazing life of folk singer and activist Buffy Saint Marie. She’s an icon. Go read this! Yes, it’s written by a white lady but with great reverence for Buffy Saint-Marie.


If you are local to Vancouver,  please consider ordering books through Indigenous owned books stores such as Iron Dog Books, or Massy Books. Please make a donation to the Indian Residential School Survivors Society.

 

Circles and Triangles Off to New Homes

Two of my favourite framed pattern mixing pieces, recently on display in my solo show Patterns of Influence, found themselves forever homes. I was glad to see them both go to people who have purchased work multiple times over the years. I’m so grateful for repeat customer clients who love my work!

Pattern Mixing Red Triangle – 29″ x 23″ framed

Pattern Mixing Blue Circle – 24″ x 24″ framed

 

Visit my online shop to view some of the available work, or book an appointment through Calendly to come by for an in-person visit.

 

A Visit to the Kitoki Inn

I celebrated my birthday in late July with a short getaway  to Bowen Island with my partner, Boris. Thanks to our past selves, who in January brilliantly thought ahead to July, and booked us two nights at the Kitoki Inn. At the time, they were anticipating a summer opening, and we really had no idea what to expect because there were no photos of the accommodations.

The tiny but well-curated shop on the property. It has a selection of snacks, and other lovely Japanese goods.

We visit Bowen often (because Boris’ parent live there) but this is such a special spot. A Japanese Onsen tucked away at the top of a hill, surrounded by a tall forest of trees and ferns. There are three private one-room cabins on the property, each with their own small kitchen and bathroom, and a deck to sit outside. The buildings are purposely designed for maximum privacy, with windows positioned either low or high in the wall to let in light but not give a view of the cabin next door.

 

The bathhouse is available for guests to book twice a day for 90 minutes each, and we took full advantage of that. One day we took the earliest booking at 6:30am to start the day, and then an after dinner bathhouse visit to end it. Relaxing in the bathhouse while staring at the forest and listening to the gentle sound of the water feature was just perfect. It was a good spot to watch birds as well. It’s a traditional bathhouse where you clean yourself before you get into the hot bath, then soak yourself for 10-15 minutes, cool off with a cold shower, and then sit for 10 to 15 minutes before getting in again. You repeat the cycle as many times as you want in the 90 minutes.

The Kitoki Inn managed to feel both quiet and remote, even though we were’t far from a busy road. I actually felt like we were in Japan while on the property, and then we would walk down the hill to find ourselves on Bowen.

I’m very grateful for this special experience on my birthday, and hope we can visit the Inn again someday.

(The Kitoki Inn blew up in a big way on Social Media around the time they opened, and are currently booked well into 2022. Keep that in mind if you’re interested in visiting it yourself.)

 

Does Anyone Read Blogs Anymore + Five Good Things From The Week

So I thought I’d take a stab at writing on my blog more regularly again. I haven’t kept up with it at all since the pandemic started in 2020, even though there is lots I could write about. It’s amazing how I could go from writing eight to ten posts every month so religiously for years, to almost nothing. 

To start things off I decided to implement a new template. When Boris migrated my blog I’d hastily applied a template, but always felt frustrated with it. My lack of interest meant I never made an effort to try and change it to something better. Inertia has really taken over many aspects of my life.

One of the thoughts I keep having is: Do people ever read blogs anymore? I do, but much less than ever before (probably out of inertia). How much does that matter, when I’ve mostly always kept this blog for myself. It’s been a good way to regularly document my work over the years, in parallel to what I post on Instagram. I think that is a good thing, because it allows me to write more about the process and details of each piece.

While I am here, I will include a Five Good Things From The Week List, because it has always been a reflective post I enjoyed writing. Here goes: 

  1. Our weekly swim night at New Brighton Park pool with less than twenty other people because the weather was cool. 
  2. Reading Nishga by Jordan Able. It’s an emotional journey of identity, intergenerational trauma, and belonging in the form of deconstructed academic and historical documents turned  work of art in book form.
  3. Getting a much-needed hair cut!!!!
  4. Stumbling across Kouign, a new French-style bakery in Chinatown, and buying tasty treats for Boris and I to enjoy.
  5. Discovering (thanks to Barb) there are two new Trinidadian restaurants newly opened in East Van! I can’t wait to try them both.

Hand in Hand with Technology

I originally wrote this post for the Craft Council of BC blog to promote my show earlier this year, and wanted to include it here.

My goals as a craftsperson are to demonstrate excellence in fine craft, achieve a high level of skill in my chosen medium of paper, and emphasize the importance of making by hand.

Cutting by hand

Cutting by hand

An issue I confront regularly as an artist is the misperception that machine production is superior to making by hand. People who are not makers seem to have the impression that a human being is incapable of producing an object at the same level of quality and skill as a machine. The excellence of my skills is such that people often at first glance interpret my creations as made by a laser cutter. People react in amazement when they learn what they’re viewing has been cut by hand with a simple Olfa knife blade.

Don’t mistake me for a luddite. My intention here is to ensure handmade and machine made are given equal footing and regard. I have readily employed machine cutters of various kinds to create work in the past as well as my upcoming solo show. My tendency is to use technology as a way to increase efficiency in my process, or to expand the potential of the work in terms of scale or materials.

I view laser cutting or using a digital cutter as methods of production that require a high level of skill to execute properly, and not a magic solution to producing the work I want to create. Working with paper cutting and the effort of doing this work by hand is often viewed as a waste of time. It is the repetitive nature of cutting that is the attraction for me, because it is both mindful and meditative, and gives meaning and fulfillment to the work.

Cloud Swirl – laser cut bamboo + white acrylic

I have produced a small number of laser cut pieces to date. These began as one-of-a-kind designs in paper that I recreated as digital files in order to reproduce the work in a range of materials. It has also allowed me to increase the scale of pieces. I’ve worked with Shrapnel Design, a production studio in Vancouver, because they are experts at laser cutting fabrication, and have a broad knowledge of materials. Working with them is a collaborative process that accommodates iteration, and the end result has been spectacular production pieces made from wood that are distinct from their paper originals.

The Silhouette Cameo II & machine cut drawing templates

 

Drawing templates cut by the Silhouette Cameo II

One of the pieces that will be included in the exhibition is an installation comprised of 8 pieces of 25.5” x 19.5” hand-cut paper, incorporating 40 different patterns. In the planning stages of the work I realized there were issues I could solve through the use of technology. I needed to scale up the size of the patterns, and incorporate more elaborate repeating designs. I wasn’t confident I could do either of these things by hand. My solution was to employ a Silhouette Cameo digital cutter, and draw from a library of digital design files, to produce pattern templates. I utilized these to trace each design onto the paper.

Details of the hand-cut installation. Patterns drawn with machine cut pattern templates.

I will continue to explore my process by hand, as well as experiment and learn different techniques and technologies in the creation and production of my work. Handmade fine art and crafts are a worthwhile output of their own — and should be seen as a way to celebrate expert makers. But technology and new processes, especially in pursuit of excellence and efficiency, are themselves an opportunity to expand artistic creativity and collaboration.

Whatever mediums I use, my artist’s hands and mind are always there.

 

Instagram Live with Sara Khan

I’ll be doing an Instagram live with the lovely Sara Khan (aka @mindforking) on the morning of Thursday June 24th at 10:30am PDT / 1:30pm EDT. We’ll be chatting about our current exhibitions and our work. I hope you can tune in.

I created a series of diptychs combining details of pieces from each of our shows. I love how these play off of each other.

Sara’s show, Roshni Ke Teh Mein (In the Fold of Light) opened at The Reach Gallery in Abbottsford in late May, and continues until September 4, 2021. It features her glorious watercolour paintings filled with pattern, colour, and meticulous details, as well as a large installation created from layered fabric. The exhibition is terrific.

It feels like a strange time to have a show, which is part of the reason the two of us decided to do this live conversation on Instagram. What does it mean to put so much of yourself into an exhibition that may not be seen by much of an audience due to Covid?

 

Patterns of Influence at the Craft Council of BC

After more than a year of hard work I am pleased to present my new solo show, Patterns of Influence, at the Craft Council of BC. The exhibition runs from May 20th to July 1st, 2021.

Due to Covid 19 restrictions there will not be an official opening event.

Rachael Ashe presents a new series of cut paper art and installations inspired by a maximalist’s love of surface design. This exhibition of intricate work was created through hands-on cutting and carving of paper, exploring pattern design and the concept of “slow work”. Slow work means creating mindfully and savouring the process while allowing it to take as much time as needed.

The exhibition demonstrates a new direction in Ashe’s paper art, elevating the complexity of her design elements. Inspiration is drawn from everyday life — clothing, interior design, and architecture — which are combined with patterns spontaneously generated during the process of cutting.

Central to the show is a modular installation of thirty-six individual hand-cut pieces created over five years, featuring Japanese and Islamic patterns, arranged as three-dimensional tiles. The exhibition also features limited edition hand-cut screen-prints in collaboration with The Hive Printing.

Patterns of Influence
Dates: May 20th to July 1st, 2021
Time: Tuesday to Sunday, 11am to 5pm, Thursdays to 8pm
Location: 1386 Cartwright St, Granville Island

The exhibition is part of the Crafted Vancouver festival.

 

The Beauty of Metallic Foil Paper

I love metallics and have used them in my work in various ways over the years, mostly as inks or paints applied to paper. When we were in Berlin a few years ago, I was excited to find rolls of metallic foil paper in the fantastic art and design store Modulor. I came back with a roll of copper, and Boris brought me back a whole range of other colours when he went to Berlin again on a business trip.

I had previously done a few test cut pieces with this material but hadn’t yet tackled anything beyond that until recently. Just before Christmas I pulled some of it out to do more tests and see how well it would work in creating a cut paper design. The material “tests” became finished pieces that I ended up framing because they worked out so well.

I drew the designs using a mechanical pencil (as I always do) and was interested to see it scores the metal paper more than marks it with the graphite but it makes it easy to see the lines and follow them when cutting. There is potential to do a piece by scoring a design into the material rather than cutting.

Hand-cut copper foil paper

It is a slightly thick material but no more difficult to cut through than other papers I work with. I did need to change the blade more than I would have working on a similar sized piece in fibre-based paper. Maybe three blades were used when usually one would be sharp enough at this scale.

Hand-cut silver foil paper

I’m hoping to work with this material again soon and create a few larger pieces utilizing the full colour range of metallic foil papers I have on hand.

You can find these two framed and ready to hang in my online shop.

Studio Sale Preview

My studio sale has been on for a week so far, and things are going fast. I’ve already sold nine pieces, which is amazing. It’s been wonderful to see people connect with these long hidden pieces of work, and have them finally find a forever home.

I thought I’d share some of the work that is still available. Please get in touch you if see something you are interested in or schedule a visit through my booking calendar. Most of the work in the studio sale is priced at $250 and under because they are unframed and unmounted. 

Painted cut paper, 16″ x 22″ (SOLD)

 

Lino print and cut paper, 19.25″ x 23.75″

 

Paper cut painting with acrylic ink

 

Optical art paper cut, 15″ x 19.75″ (SOLD)

 

Circle star paper cut, 14″ x 17″ (glare from plastic bag)

 

Paper cut circles, 14″ x 17″ (SOLD)

 

Concentric triangles, 14″ x 17″

 

Gel pen drawing, 15.75″ x 19.75″

 

Gel pen drawing, 11.5″ x 15.75″

 

Laser cut wood, 16″ diameter (SOLD)

 

Framed embroidery in paper, 12″ x 12″

 

Framed embroidery in paper, 12″ x 12″

 

French knots in paper, 10″ x 13″

 

Ink drawing & French knots, 8.5″ x 11″

 

French knots in paper, 8.5″ x 11″

 

Bird collage, 6″ x 6″ (SOLD)

 

Bird collage, 6″ x 6″ (SOLD)

 

Altered book assemblage, 12″ x 16″ (SOLD)

 

Altered book assemblage, 12″ x 16″ (SOLD)

 

More to come in an additional blog post.

Studio Sale – Artwork in Need of Forever Homes!

 

For the month of February, I will be hosting my semi-annual sale at the studio, with lots of deals on older work. I want to be able to accommodate as many people as I can over a longer time period. There are appointments available throughout the month to come by and view the work. Please book an appointment using this link or get in touch using my contact form.

I make way more art work than I ever end up sharing, showing, or even framing. These perfectly good pieces of art are often stepping stones, exploring an idea or concept, and were unfortunately forgotten about once they disappeared into a drawer. I often come across them again when I have someone in for a studio visit, and they go, “Wow. That’s a great piece!” And so, I’ve pulled all of this lovely art work out, packaged it up, ready to find its forever home.

All of the work is priced at $250 and under. Everything is unframed and unmounted but will come with a backing board and glassine cover to protect them. The works of art are cut paper designs in a variety of sizes, with a small selection of drawings, and a limited number of laser cut proofs. 

Masks are mandatory for entry to the studio, and I’ll have hand sanitizer available inside. The studio is very spacious so maintaining physical distancing isn’t a problem.

Thank you for supporting local artists and small businesses in this difficult time. I look forward to seeing you from six feet away.

Studio Sale
Dates: February 1st to 28th
Time: book a studio visit here
Location: 1610 Clark Drive, Unit 201, back entrance