Relinquish Control Of Your Offerings

Container Art- Forgotten Knowledge-2

Having my work on display at the PNE for the last few weeks has been an interesting experience with having art in a public space. There was so much destruction to my show after opening weekend of the PNE that I was ready to pack things in and take it down. Thousands of people went through the container and a large number of those were handling my work carelessly and breaking things. I had to remove three of the books after that first weekend because the objects were gone, and I had to do repairs to many others with partial damage. I was flabbergasted that people would be so disrespectful and careless.

It’s disheartening to watch so much of my hard work of the last few months get wiped out in a shorter time than it took me to make it all. At this point I’ve resigned myself to only being able to salvage some of this work for future use. It’s become a “sacrificial” art work for the sake of sharing my work with a larger audience of people.

On that note, Free Will Astrology had a very appropriate horoscope for me today:

LEO (July 23-Aug. 22): The Clash was a leftwing punk band that launched its career in 1976. With its dissident lyrics and experimental music, it aspired to make an impact on political attitudes. But then one of its songs, “Rock the Casbah,” got so popular that college fraternity parties were playing it as feel-good dance music. That peeved the Clash’s lead singer Joe Strummer, born under the sign of Leo. He didn’t want his revolutionary anthems to be used as vulgar entertainment by bourgeois kids. I sympathize with his purity, but I don’t advocate that approach for you. For now, relinquish control of your offerings. Let people use them the way they want to.

Recommended Reading: Books About Altered Books, etc.

Back in June Stephanie wrote a wonderful blog post about books that guided her through design school. I was really inspired by this and decided I wanted to write something along the same lines about the books that have inspired me in my own work as an artist. I’ve included photos of the covers and links to purchasing each online, just in case any of these take your fancy.


New Directions in Altered Books by Gabe Cyr
This is the book that started me down the road of altering old books and turning them into art. For years I had been pondering using books in my work and through the ideas in this book I was finally able to move from thinking to making real work. There are plenty of projects to choose from with excellent step-by-step instructions, and a large gallery of work for inspiration.


Paper Engineering & Pop-Ups for Dummies by Rob Ives
Making altered books eventually led me to experimenting with movable parts and pop-ups and this book has been a terrific resource for ideas. There are many patterns in this book for making paper mechanisms. I tend to use it as a jumping off point for figuring out how to make a custom piece to suit my needs.


The Penland Book of Handmade Books
While this book does have instructional pieces in it I actually bought it for the gallery of works, many of which push the boundary of what is a book. The image on the cover is a great example of this. The book is a collaboration between Lark Books and the Penland School of Crafts, located in North Carolina. There is some really incredible art work inside.


Playing with Books by Jason Thompson
I originally picked up this book for the fabulous gallery of work in the back featuring many of the internationally known altered book artists I’ve come across. Most of the content is instructional with projects about making things from book pages rather than full books. I used one example to create the five petal flowers for my installation in Container Art. Lots of the projects inside are decorative.


Creative Time & Space: Making Room For Making Art by Rice Freeman-Zachery
Nothing is more helpful to an artist than talking to other artists about how they pursue their art. This is a book which is a great resource for how to make time and create space in your life to be creative. It’s written by an artist and it features many helpful hints from the fourteen artists she interviewed for the book. All of them pursue their craft full time and have worked hard to make it work for them.


Artist Survival Skills by Chris Tyrell
I’ve come to realize that to be a successful artist you have to think about yourself as an entrepreneur. It’s one of those things they don’t teach in art school and have to learn along the way. Chris Tyrell’s book is a handy reference for helping to develop a professional art practice beyond the art making, with hints on pricing art, maintaining an inventory list of work, developing mailing lists, and the dreaded taxes. I took a four week workshop with Chris last year, which was money well spent and a kickstart to my current trajectory as an artist.

If you’re interested in buying any of these books, do try RubyDog’s Art House for the books on altered books. It’s where I’ve purchases some of these and Leanne has many other creative resources in the shop. As much as possible I like to support local stores when book buying.

Amrita Designs

Allow me to introduce you to my cute new handbag made by Amrita Designs. I bought it at the Powell Street festival a few weekends ago after falling in love with the bird fabric and interesting structure of the bag.



I wanted to share it not to show off a new purchase but rather to highlight the designer who made it and give her some “google juice”. She doesn’t have a website or any internet presence to speak of and I think that’s a shame because she makes really lovely bags. Luckily what I can point you to is her next appearance, at the Britannia Centre’s Handmade Market this Sunday. Maybe you’ll find a cute new handbag too.

If you’re interested in a bag made by Amrita Designs, please contact Aya by email: amritadesigns (at) hotmail (dot) com.

Good News: Container Art & The Eastside Culture Crawl

The last few weeks I’ve been stressing over the mail because two important items I’d sent off in June were taking a REALLY long time to show up at their intended destination. I hate things like this because there is absolutely nothing I can do about lost mail. One of these items was a cheque covering my registration fee in the East Side Culture crawl and it’s failure to reach the organizers in a timely fashion meant having to pay an additional fifty dollars. The increased cost had me reconsidering taking part in this event because money is tight right now. But much to my relief the cheque finally arrived after a two week trip around Vancouver. Apparently part of the mailing address contact information on the Crawl’s web site was incorrect, and many notes on the envelope later my cheque found itself at the correct address. Phew!

On the very same day the cheque arrived I had another piece of good news I’d been waiting for. I received an email from the organizers of the Container Art show letting me know I’d been chosen as one of the twelve participating artists. What is the Container Art show you might ask? It’s a bit of a traveling art show which uses empty shipping containers as the venue for artists to create site specific work in a variety of mediums. There have been Container Art shows in Rome, New York, Jerusalem, Milano, etc., and this is the second year this will be done on site at the PNE grounds.

Forgotten Knowledge

Forgotten Knowledge-2

The project I am putting together for this show is book based. As mentioned in my monthly newsletter, and a previous blog post, I’ll be working with twenty-five volumes of a set of encyclopedias and combining these with found objects. At the moment I only have five of the twenty-five completed and about a month left until the date of installation, but I am so excited to be in this show. It’s an incredible opportunity for me and it’s been just the right motivation I needed to try something on a larger scale than my previous work.

Stay tuned as I work my way through to the end of this project, and please do come and see it at the PNE in August.

The “What The Hell Am I Doing” Crisis

I attended the opening of Eco Madness at Gallery Gachet on Friday evening and I must say, the experience really put me into a tailspin about where I’m going and what I should be doing with my work in future. I put a lot of effort into writing up a proposal to submit for the show and also running around to get the work printed and framed. It didn’t feel worth it once I took a look at the rest of the show, not because the rest of the work wasn’t good, but because there was such a wide range of styles and mediums that it didn’t really work together. It was especially disappointing to discover the positioning of my work on a wall that is in a hidden corner and hard to view.

I had a crisis later in the evening wondering what the hell I am doing, why I’m doing it, and should I even keep bothering. The answer to the last question is YES YES YES because this is something I love to do and I’m doing it because it makes me happy. Maybe I’ll just avoid group shows in future because too often I don’t get enough out of them other than something to put on my resume, and I already have enough of those.

Below is part of the submission I put together for Eco Madness. I had proposed four of the Imaginary Girl nature themed portraits and two were accepted into the show. At the very least it was an interesting exercise in writing down thoughts I’ve had around some of these portraits. The image below is a mock up of how I wanted to hang the grouping of four images.

Artist Statement:
My nature themed photos are a small grouping of images within a larger portrait series of women titled, “Imaginary Girl”. My intent when using natural settings is to convey a strong connection between the human subject and the environment. It is as if they are woodland creatures peering between the leaves that frame them. The women are fully integrated into the natural setting rather than merely using it as a backdrop. The idea is that nature is a place of nurture for human beings as it is for every other living creature. It is a place to slow down and clear one’s head, to recharge and become centered, and to take shelter.

I know I am made from this earth,
as my mother’s hands were made from this earth,
as her dream came from this earth and all that I know, I know in this earth…
and I long to tell you,
you who are earth too,
and listen as we speak to each other of what we know:
the light is in us.

~ Susan Griffin

Mailing List Postcard Giveaway

Yes, you heard that right. I am giving away free postcard sets to the mailing list subscribers for my monthly newsletter. If you’re not already signed up please go here to add your name and email address. I will be drawing three names and announcing them on Friday.

Postcard set

The postcard sets include five different collage images taken from my moleskin sketchbook. They’re fun, pretty, and I love getting these into other people’s hands to keep alive the tradition of sending things by snail mail.

Go. Now. Sign up.

[Edit: The contest is now closed and I have drawn the names of the three winners.)

Altered Books for Sale on Etsy

Yes, it’s true. There are altered books listed for sale on Etsy. Please do check them out in my shop and share them with your friends. An independent artist is only as successful as the audience who is willing to support and share their work.

Since the altered books have returned home from the show at Art Space Vancouver, I’d been going back and forth about whether or not to list this work on Etsy. I was questioning if there is an audience for them there, whether a craft-focused site was the right fit for this type of work, and had my doubts about people purchasing work from Etsy that is of a higher price point. But it makes sense to have them there because I need to let people know they are for sale and it’s the simplest tool in which to do this. I’ve sold six of these books but I need to reach a wider audience of buyers.

I decided to rephotograph each book for listing on Etsy, to show different angles and how they look framed. I used studio lights instead of the on-camera flash I typically use when I document work for posting to Flickr and my blog. I realized as I did all this how amazingly simple the whole process of documenting artwork has become thanks to digital photography. I had the first few books on Etsy in a matter of hours, which is pretty damn awesome.

I’ve been extremely well organized about documenting the altered book work as I go along, and as I was creating the listings on Etsy I realized how valuable this is to treating my art as a business. I photograph and blog about them as soon as one is finished, and I also track them in an inventory spreadsheet in Google docs. Having so much information already on hand and online made it incredibly easy to put together the listing description and (voilà!) have new work listed for sale in an efficient fashion. It really pays off to be an organized artist, which is something that has taken me a really long time to learn.

As a side note, I’ve just started sending out a monthly newsletter with updates about upcoming exhibitions (my own and others) and new work. You can subscribe here, and I promise to keep things fun.

Twitter/Art + Social Media

Week 48 - Floating away

I don’t think I’ve mentioned on my blog as yet that I am in the midst of a grand experiment. At the beginning of January I quit my job with the intention of concentrating full time on my art. Many weeks later I am now going into my seventh week of doing so. It’s been a thrilling, exciting, stressful, productive, and satisfying couple of weeks.

An important part of my grand experiment has been to get my work out into the world, build an audience and make it known I have work for sale. Social media tools, specifically Twitter, Flickr, Facebook and this blog have played a huge role in this, and I’m not really sure how I would’ve accomplished what I have without them. The internet has drastically changed my art practice over the past five or so years I’ve been using these tools, and I can easily say they have become an integral part of my process. Having an audience to share with and an easy means to do so has kept me motivated to constantly create new work. The sharing goes both ways as well because as I’m sharing with the world they are sharing back in the form of feedback, encouragement, inspiring interactions, thoughtful blog posts, and artwork that blows my mind and goads me onward to create.

And now to the point of my blog post. I am taking part in a group show at Diane Farris Gallery that explores the connection between artists and social media. When I’d first read the call for artists put out by the gallery I was initially put off by the 50% commission they take if the work is sold. But I reconsidered for two reasons: 1. I have two shows in public spaces at the moment and I want to compare these to showing in a gallery, and 2. I am interested in the connection between artists and social media.

The show opens on April 1st and runs until the end of the month. I am excited to be taking part and am curious to see the work of my fellow participating artists and how they use social media in their artistic practice.

Twitter/Art + Social Media
Exhibition: April 1 – May 1, 2010
Opening Reception: Thursday, April 1, 6 – 8 pm
Diane Farris Gallery
1590 W. 7th Avenue
Vancouver BC V6J 1S2

Canvas Printing by Opus Art & Design Media

Canvas prints

I was very excited when Opus Framing and Art recently announced their new digital canvas printing service. I’d been considering canvas printing for some of my recent photographic work so their timing couldn’t have been better. I selected two files from the portrait series and took them in to Opus to test out their print services. As you can see by the photos they did a fantastic job.

Canvas prints-2

The colours and level of detail in the prints are really fantastic and the texture of the canvas plays nicely with the illustrative qualities of my work. Opus stretches the canvas in-house with a choice between 3/4″ or 1-1/2″ stretcher bars and four different styles of folding the corners. I went with the larger stretchers because it makes the finished print more substantial and I can hang it without a frame. I am really thrilled with these two prints and it’s only a matter of time before I have the rest of my portrait series printed on canvas as well.

Canvas prints-3

I can’t say enough good things about the staff at the downtown location of Opus (which is the only location to offer this service) who are very knowledgeable and helpful. They were really great about answering my questions, and I was shown samples of digital files of varying quality printed on the canvas to give me an idea of how things would look. They also have their monitors calibrated to the printer for perfect colour accuracy. It took a week for my files to be printed and stretched, and they gave me a call when everything was ready. It’s a great service with even better results – especially when you start with high quality files.

As a side note, I had been planning to use Kickstarter to create a campaign to fund the cost of producing the canvas prints of my portrait series. I want to put together a show of this work but not beggar myself in the process. This morning as I started looking into it I discovered I need a US bank account and address because Kickstarter uses Amazon Payments Business accounts to receive funds and this is part of their policy. Now I’ll either have to figure out a way to make it work for me or come up with some other means to raise money to fund my art. Any suggestions?

Calling All Editors: Artist Statement Feedback Wanted

Altered Book- Let the World Speak for Itself - Detail

Since I’m on a mission to try new things with my art, I thought I’d put out a public call for feedback on the artist statement I’ve been working on for my altered books. Normally when I do this sort of thing I send it to friends for review and editing, but since this is for a wider audience anyway I’m happy to have everyone/anyone read it.

Altered Book: Swimming in a Sea of Words - detail

Please read it over and leave me a comment (if you’re reading this on Facebook, please come to my blog). I’d love to hear from you. The full set of the altered books can be found on Flickr.

About the Artist:
I am a Vancouver-based artist working in photography, mixed media collage, and altered book arts. My work is motivated by a need to experiment with different techniques and styles, as well as to explore the spontaneous ideas that come from the visual inspiration of nature, found objects, and connecting with the work of other artists. I love to play with my artwork and I use a strong sense of colour and striking compositions to create imagery that is personal and expresses my love of nature and imagination. I am inspired by the natural world, bright colours, and by finding magic in every day life. My work has been shown in Toronto, Vancouver, Salt Lake City, Los Angeles, and San Francisco as well as published in numerous books and magazines.

About the Altered Books:
In 2007 I attended an art event in Portland called Mississippi May featuring the work of local emerging artists. My favorite works in the show were the magical illustrations of Timothy Karpinski, which he’d painted onto the pages of old books. I loved this idea because I’d never seen books used as a canvas before, and the illustrations created their own story against the backdrop of the page. I was inspired and decided to apply the idea using photos, as my work at the time was primarily photography. This led to experimentation using inkjet image transfer paper to print my photographs within the pages of books. I was never quite happy with the results because the image transfer process didn’t mix well with the aged and brittle paper of book pages. My book arts ideas went on the backburner because I felt I didn’t yet have the right tools to create work in the way I envisioned.

In late 2007 I began to work in mixed media collage and spent the next two years developing a feel for techniques. My primary medium has always been film photography but as I worked more with a digital format I craved the satisfaction of creating work “hands-on”. In September 2009 I came across a wonderful book called, “New Directions in Altered Books” and suddenly my long neglected desire to work with books was reignited. It opened up a whole new world of artistic possibilities for me, and creating collage in three dimensions.

Creating altered book art is as much about the process as it is about experimenting with the materials I’ve used to create each work. I often start with a rough idea of something I wish to explore which can be inspired by the objects or materials I have on hand, or by ways in which I want to alter the pages of the book itself through cutting, folding, etc. The composition and material choices for each book evolves as I work on them, often over several days. Every altered book I complete is a handmade original creation, and I’m addicted to making them.

(Thank you for reading and leaving a comment if you choose).

(Edit: As was bound to happen, I’ve already started editing since posting this earlier today…)