Seattle Art Road Trip

I went on a day trip to Seattle last week with a group of friends to go gallery hopping. We managed to fit a lot in during the short amount of time we were in the city. I did not take as many photos as I wish I had, so there is a lot of terrific inspiring art I can’t share. The ones I did photograph showcase a very random selection of things.

Seattle Art road trip

Gift City: A Project by Keller Easterling at Henry Art Gallery

Seattle Art road trip
Franz Erhard Walther: The Body Draws at Henry Art Gallery

Seattle Art road trip
Trimpin at Winston Wachter Fine Art

Seattle Art road trip
Gala Bent at G. Gibson Gallery

Seattle Art road trip
There’s A Story Here by Sean Johnson at Greg Kucera Gallery

Seattle Art road trip
Complex by Evan Blackwell at Foster White Gallery

Seattle Art road trip
Don Fritz at Gallery IMA

It was a terrific trip with a fun group of friends. I was happy to visit a few new-to-me galleries, that I will definitely revisit the next time I am in Seattle.

Encountering a Wonderous Installation of Paper

I had a wonderful busy weekend hanging out with artists, visiting galleries and studios, seeing art, and talking with artists over good food. It all started with a visit to the Museum of Anthropology to see (In)visible: The Spiritual World of Taiwan Through Contemporary Art.

As soon as we walked in my friends and I were all completely smitten with the Water Fairies Reproduction Project, which is the gorgeous installation pictured here created by Chiu Yu-Wen. It envelops the main hallway of the exhibition space beginning at the entrance of the show. It is made of a gauzy draped fabric and thousands of pieces of cut paper

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-5

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen

We spent a long time looking at this piece from many angles, and enjoying the calm and peaceful atmosphere you experience while walking through it.

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-4

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-3

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-2

I am inspired by this piece because I aspire to make paper based installations on this scale. It also feels like a rare opportunity to come across work like this in Vancouver, because most exhibitions spaces don’t have the space or mandate to display installations on this scale or type.

(In)visible: The Spiritual World of Taiwan Through Contemporary Art continues at the Museum of Anthropology until April 3, 2016.

Frost On Things

Untitled

Untitled

Untitled

It was super cold (for the West Coast) between Christmas and New Year’s Eve, and the amazing thick frost returned. I am fascinated with it because the frost does interesting things depending on the shape and surface of the objects it’s forming upon.

2015: A Year End Review in Twelve Photos

It’s the nearing the end of the year so of course it’s time to dig through my photo archive and share twelve images taken within the past year. I’m glad I did this because it reminded me how many things I made in 2015, and it was a lot. For some strange reason I’ve been feeling as if I hadn’t been up to much this year, and the photographic evidence is assuring me that I am wrong.

Work in progress installation
January

Vibrant glow
February

Small drawings on cardstock
March

paper cut and drawing on paper
April

Work in progress paper cuts
May

Flowering red onion
June

Braided rug
July

Untitled
August

Paper sculptures from screen prints
September

Untitled
October

Frost
November

Work in Progress: paper cut pieces
December

I hope to make 2016 an even more productive and creative year. Huzzah!

Scenes From A Letterpress Printing Workshop at Porchlight Press

I took a letterpress workshop this past weekend at Porchlight Press to make holiday cards. I loved looking at all of the interesting equipment around the printshop, and it made me wish I could reproduce some of my own work as letterpress prints and cards.

These are photos I took of some of the things around the shop.

Letterpress printing at Porchlight Press
Examples of lead type
Letterpress printing at Porchlight Press

Letterpress printing at Porchlight Press
Examples of wood type
Letterpress printing at Porchlight Press

Letterpress printing at Porchlight Press
An assortment of images we could use in our card designs.

Letterpress printing at Porchlight Press
A beautiful Heidelberg Press (which we did not use).

Letterpress printing at Porchlight Press
Letterpress printing at Porchlight Press
My card design all inked up on the press as we were printing.

Letterpress printing at Porchlight Press
The finished Christmas card with hand drawn details added to the decorations using metallic gel pen.

Unique Work by Rachel Gourley

These are wonderful sculptures by Rachel Gourley taken at a show in Crafthouse Gallery on Granville Island. I dropped in last week to take a look and was wowed by her wonderful work.

Untitled

Untitled

Untitled

Up close the works appear to be similar to glass, but they’re actually made from polymer clay. The pieces resemble wild forest fungus and sea anemone, combined with found natural objects like stones, and driftwood.

Untitled

Untitled

Untitled

Rachel Gourley’s show Contained continues until December 30th at 1386 Cartwright Street on Granville Island.

The Delicate Art of Frost

It’s been cold in Vancouver and last week the most magnificent frost formations began to appear over everything first thing in the morning. I’ve been photographing it like crazy, because the frost has a different effect depending on the shape of the object on which it forms.

These photos were taken in my neighbourhood and on Bowen Island.

Frost

Frost

Frost

Frost

Frost

Frost

The final photo was taken in the meadow on Bowen, which is one of the few open areas in the forest. There was a thick layer of frost covering the ground like snow. It was so beautiful.

On Taking a Year Off From Exhibiting at Culture Crawl

Last year at the end of Culture Crawl weekend I made the decision to take 2015 as a year off from exhibiting. I’d been taking part for five years in a row, and with the extension of the event from three to four days, I felt it was time to take a step back and experience things from the perspective of a visitor.

I exhibit from our apartment for the Crawl, which means storing half of our furniture in a back room and transforming the living and dining room area into more of a gallery. It’s fine to live this way temporarily but the addition of the fourth day felt like an unbearable disruption to our lives. I worried about missing out on this opportunity to exhibit and sell a bit of work, but in all the years I’ve participated I have never made enough to cover the amount of time and work that goes into doing the Crawl.

Laser cut commission - detail

This past weekend it was exhilarating to wander the streets for four days visiting other artists’ studio during the Crawl. I went out every single day, and covered a whole lot of ground. I did not make it everywhere, but I did make it to all the locations I’d hoped to see, and visited with many friends. I had the experience a few times where an artist I was meeting for the first time knew who I was and gushed over my work. I had this feeling of wonder and excitement about getting to experience this event from the other side. It reminded me of going door-to-door trick or treating as a kid, but there was nothing but treats for the eyes and soul.

Over the past few months I’ve been struggling with focusing on creating new work and planning for future goals in my art career. After this weekend I feel recharged, inspired, and have a renewed sense of purpose. Thank goodness I took this time for me because it was absolutely the right decision.

My intension going forward with Culture Crawl is to no longer exhibit from our apartment, and there is a possibility I may not exhibit at all. I’m going to think about my options and let you know in time for next year.

A Short List of Eastside Culture Crawl Artists You Should Visit

I think I already mentioned how thrilled I am to do the Culture Crawl this year, and not exhibit. I feel like I have so much more free time than usual this fall. I am SUPER EXCITED to visit friends in their studios, and discover new artists I haven’t met before.

These are some of the artists I am going to visit when the Crawl kicks off on Thursday evening, and I think you should too.

3-tateishi
M.A. Tateishi in Studio 280, Mergatroid Building.

2-richmond
Simone Richmond in Onion Studio.

3-macdonald-IMG_4222mod
Westerly Handmade Shoes in 1000 Parker Street Studios

4. barratt
Propellor Design at 1120 East Georgia Street.

4_norberg
Christina Norberg in the Mergatroid Building.

Eastside Culture Crawl begins Thursday November 19th and ends Sunday November 22nd. Visit the website to plan your route.

Aspiring to Create Lovely Sashiko Stitching

I attended my second ever artist workshop and demonstration at Opus Downtown yesterday afternoon. This time I learned about Sashiko stitching from Heather Young of The Craft Lab. Sashiko is a form of decorative reinforcement stitching from Japan, that is traditionally used to repair worn or torn parts of clothing. It often takes the form of white cotton thread stitched patterns on indigo cloth.

Untitled

Untitled

Untitled

The photos above are of some of the samples of work Heather brought in to share with the class. I had a lovely time stitching into an old piece of indigo dyed cotton from a workshop I did a few years ago. I need to buy proper sashiko thread and needles before I can continue my explorations with this technique.

Untitled

I have a few pieces of clothing that could use decorative repairs like this and be good as new again.