An Update on Spring Blooms

This spring season has been as wet as last year was dry. It’s been a downer on my mood in the short term, but I hope it ensures we’re safe from a long dry summer.

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Delicate white magnolias

Tiny pink blossoms

The flowering trees keep doing their thing, rain or shine. I admire them for that. As always, they are the best thing about spring in Vancouver.

In The Pink For Spring

The cherry trees have begun their magical work of blanketing the city in pink and white blossoms. It’s my favourite time of year, and I end up photographing flowers on a daily basis because they are incredibly beautiful.

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As with last year, there are trees coming into bloom earlier in the season than in years past, like the magnolia and Flowering Quince above. It has me wondering if this is the new normal, and what are the long term implications.

Encountering a Wonderous Installation of Paper

I had a wonderful busy weekend hanging out with artists, visiting galleries and studios, seeing art, and talking with artists over good food. It all started with a visit to the Museum of Anthropology to see (In)visible: The Spiritual World of Taiwan Through Contemporary Art.

As soon as we walked in my friends and I were all completely smitten with the Water Fairies Reproduction Project, which is the gorgeous installation pictured here created by Chiu Yu-Wen. It envelops the main hallway of the exhibition space beginning at the entrance of the show. It is made of a gauzy draped fabric and thousands of pieces of cut paper

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-5

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen

We spent a long time looking at this piece from many angles, and enjoying the calm and peaceful atmosphere you experience while walking through it.

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-4

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-3

Water Fairies Reproduction Project, 2004–2015, Chiu Yu-Wen-2

I am inspired by this piece because I aspire to make paper based installations on this scale. It also feels like a rare opportunity to come across work like this in Vancouver, because most exhibitions spaces don’t have the space or mandate to display installations on this scale or type.

(In)visible: The Spiritual World of Taiwan Through Contemporary Art continues at the Museum of Anthropology until April 3, 2016.

Getting Inside at Doors Open Vancouver

Doors Open Vancouver is an annual event put on by the City of Vancouver allowing people to visit city owned buildings and get a behind-the-scenes look. There are about eighteen locations involved for the day, ranging from theatres, to the public works yard, to the Stanley Park miniature train.

I visited two locations with my friend, Kai. We went for quality visits at two locations rather than trying to make it everywhere. We chose the Queen Elizabeth and Orpheum Theatres for our visits. Both theatres were set up for evening performances, which meant we got to see the set for Rigoletto at QE. Our timing was perfect to take part in a backstage tour as well and see the set up close.

Doors Open Vancouver
Lighting by Propellor Design

Doors Open Vancouver
The view from the stage

Doors Open Vancouver
The set for Rigoletto

Doors Open Vancouver

The Queen Elizabeth Theatre is modern while the Orpheum is more classic and full of ornate details from floor to ceiling. We chatting with an usher who has been working at the Orpheum for seventeen years, and knew much of the history of the place. She told us it was originally built as a vaudeville theatre in the 1920s.

Doors Open Vancouver
The spectacular view from the top tier seating

Doors Open Vancouver
Doors Open Vancouver
Plaster details along the walls near the stage

Doors Open Vancouver

Doors Open Vancouver
Doors Open Vancouver
Ornate patterned ceilings in the lobbies

I’ve visited both theatres for performances but it was nice to visit each location to see the building for its own sake. Next year I intend to go again and see other locations. I can’t wait.

Exhibition at Centre A Gallery: We Are Woven Through with Strangers and Strangeness

I visited Centre A gallery to see their latest show, We Are Woven Through with Strangers and Strangeness, featuring work by Richard Heikkilä-Sawan, Deborah Kisiel, Bianca Lee, Ceri Richards, and Risa Yokoi. This is a group show of installation work by emerging artists recently graduated from Emily Carr University and UBC.

I am very inspired by the work in this show, especially the three installations featured here (there are actually five).

Exhibition at Centre A gallery
Exhibition at Centre A gallery
Wall-mounted ceramic text piece by Deborah Kisiel.

Exhibition at Centre A gallery
Exhibition at Centre A gallery
Interactive installation of thread by Risa Yokoi.

Exhibition at Centre A gallery
Exhibition at Centre A gallery
An organically sprawling soft sculpture by Ceri Richards.

We Are Woven Through with Strangers and Strangeness continues at Centre A gallery until July 4th, 2015.

Magnificent Paper Work by Peter Combe

San Francisco artist, Peter Combe, has a show at Back Gallery Project for the next few weeks. I attended the opening last Thursday and was completely mesmerized by the work.

He creates a mix of portraits and abstract work from hundreds of small circles punched from colourful paint chips, which are placed at an angle to the surface of the piece. The pieces look completely different depending on the angle you view it from, and the colours and tones shift. They are fascinating to look at, and each viewer moves around in front of the work.

Peter Combe at Back Gallery Project
Peter Combe at Back Gallery Project

Peter Combe at Back Gallery Project

The portraits are subtle and the full effect doesn’t come across in photos as it does in person.

Peter Combe at Back Gallery Project
Peter Combe at Back Gallery Project
Peter Combe at Back Gallery Project

Peter Combe at Back Gallery Project
Peter Combe at Back Gallery Project

The show continues until May 9th at Back Gallery Project, so don’t miss it.

Spring Flowers in February

While the rest of North America is buried under oodles of snow, the West Coast glories in an early spring and an abundance of flowering trees same can be said for some of the flowers in Ireland. The downside though is that some of these trees are flowering weeks or a month too early, and that part is alarming. I worry for the long term health of these lovely trees.

Spring flowers in February

Spring flowers in February

Spring flowers in February

Spring flowers in February

Spring flowers in February

Spring flowers in February

I love spring.

Hot Talks @ Hot Art Wet City: Eastside Culture Crawl Artists

For our November edition of Hot Talks we’ve partnered with the Eastside Culture Crawl to present an evening of short talks by eight artists participating in this year’s Crawl. It was a difficult selection process choosing from among the hundreds of talented artists who take part in the studio tour every year, but I made sure to choose a wide variety of disciplines.

Our speakers for the evening are Michelle Sirois Silver, Jon Shaw, Holly Cruise, Claire Madill, Patsy Kay Kolesar, Reilly Lievers, David Robinson, and Robin Ripley.

ECC-HAWC-HOTTALKS

Each artist will share a bit about their process and work in a short “Show & Tell” style talk on November 13th at 7pm. Tickets are by donation and are available for purchase through Eventbrite.

Hot Talks: Eastside Culture Crawl
Hot Art Wet City
Date: November 13th, 2014
Time: Doors 6:30, talk 7pm
Address: 2206 Main Street (at 6th Ave), Vancouver

Hot Talks @ Hot Art Wet City: Leanne Prain

Leanne Prain is the upcoming speaker for Hot Talks at Hot Art Wet City gallery. She is a designer, maker, and the author of three craft and textile-related books. Leanne’s latest book is Strange Material: Storytelling Through Textiles, and the content of her talk will tie into epiphanies she had while researching and writing this new book.

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Sewing Our Stories: Stitch Narratives

…Leanne Prain will take you through a personal journey of how multiple conversations with textile artists resulted in her obsession with linking the stuff we make to the act of storytelling. Amid the weft and weave of textiles, she has found societal commentary, personal confessions, humor, fictional dalliances, the secret lives of oppressed people, and simple snapshots of individual experiences.

Read the full description on the Hot Art Wet City website.

This latest Hot Talk happens on October 23rd at 7pm. Tickets are by donation and are available for purchase through Eventbrite.

Hot Talks: Leanne Prain
Hot Art Wet City
Date: October 23rd, 2014
Time: Doors 6:30, talk 7pm
Address: 2206 Main Street (at 6th Ave), Vancouver