The start of something new

I read somewhere that the periods in which inspiration and productivity run dry in the life of every creative person is as all part of the cycle of creativity. They are a necessary, though often frustrating and painful, part of how artists produce work and should be used as a “rest period’ in which to gather strength/thoughts/inspiration/whatever it is one needs to move forward into the next phase of work. It is much like the cycle of the seasons, with growth in some periods of the year eventually leading to dormancy and rest in others. It’s just not humanly possible to always be productive, and the creative muse likes her time off too.

It was with these thoughts in mind that I gave myself time off over the summer. It’s never my most productive time because there are so many distractions and I want to make the most of the gorgeous summer weather while it’s here. I decided I would ponder what I wanted to work on after the end of the 52 Weeks series of self portraits and begin something new in September.

Taking shelter

The above shot is the first in the new series and is inspired by the self portraits I took for 52 Weeks. I wanted to take some of the themes, ideas, and techniques I came up with in that series and apply them to portraits of other people. I’ve decided to concentrate on women as my subjects because I think my style is better suited to the feminine. My goal is to shoot one portrait about every week or two, which means planning ahead and being organized.

I’m excited about working on this and can’t wait to bring more of my ideas to photographic life.

Artist: Morgan Brig

While in Seattle last weekend for a conference I came across the extraordinary work of artist, Morgan Brig. My friends and I were wandering back to our hotel along Second Avenue when her work caught our attention in the window of Patricia Rovzar Gallery. We were immediately drawn in to take a closer look.

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Her wall sculptures are like collage in three dimensions, made with copper and enamel instead of paper and mixed media. They are magical, colourful pieces that incorporate texture, symbols, icons, and bits of text with the theme of “personal circus” running throughout. The titles of each piece, such as “She Said, I Too, Am of Wonder” or “Her Inner Child Was a Show to Behold” are as striking as the pieces themselves and compliment them beautifully. Brig’s work reminds me a lot of the crazy and colourful collage work of Teesha Moore sprung to life in 3-D.

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My friends and I were blown away by her work and left wishing we had the money to buy one of her pieces to take home. Though if it were possible for me to purchase one I’m not sure I’d be able to decide which I liked best because they are all so amazing. The online photos of the work don’t quite do justice to how striking they are in person. This was easily the best art show I’ve seen in a very long time.

(Photos used with permission of Patricia Rovzar Gallery)

More Mixed Media Collage on Etsy

Here’s a few more of my recent mixed media collage pieces that I’ve listed for sale on Etsy.

Mixed Media Collage - On wings we fly
On Wings we Fly, 10″ x 10″
Mixed Media Collage: gel medium transfer, inkjet print, rubber stamp, acrylic paint, and watercolour

This work is listed for sale on Etsy with further detail photos.

Mixed Media Collage - Octopus
Octopus, 10″ x 10″
Mixed Media Collage: gel medium, inkjet print, paper, rubber stamp, book pages, acrylic paint, ink, and watercolour

This work is listed for sale on Etsy with further detail photos.

Mixed Media Collage - Ginko Leaves
Ginko Leaves, 10″ x 10″
Mixed Media Collage: gel medium, paper, Japanese paper, rubber stamp, book pages, ginko leaves, acrylic paint, ink, and watercolour.

This work is listed for sale on Etsy with further detail photos.

Artfest 2009: There and back again

It’s hard to write about Artfest a week after my return. Things just don’t feel as fresh in my mind, and it wasn’t the transformational experience for me that it seems to have been for lots of people that have attended over the years. I think the reason why is because I feel very in touch with my art and have found ways to keep myself working on projects in a consistent way. I am also lucky enough to be part of a group of very creative friends who help me stay inspired and challenged.

I like traveling on my own because I am much more relaxed about meeting and talking to new people. I stayed in a dorm room with three other women – Michelle from Texas, Jamie from Atlanta, and Cathy from Edmonton. I also met Emily from Portland during dinner on the first evening and she was lovely to hang out with as well. There were nice people in all the workshops I took, but I tend to get so focused on what I’m working on I don’t talk very much in class.

My first workshop was Portable Shadowbox Shrines with Laurie Mika. She showed us how to create mixed media mosaic tiles from polymer clay (sculpy) using rubber stamps, acrylic paint, mica powders, and other random objects. Laurie had everyone raring to get started as she did her demo at the start of class because she made it look so easy. By the end of class everyone had a stunningly beautiful finished shadowbox shrine. I could barely take my eyes off my own.

Artfest 2009 - Portable Shadowbox Shrine
The finished shrine with all of the little random objects I brought with me to use. The whole thing is finger painted rather than brush painted.

Artfest 2009 - Portable Shadowbox Shrine

The little orange bird, key, metal stars, and other objects are all things I picked up at Ruby Dog over the years.
Artfest 2009 - Portable Shadowbox Shrine-2

My workshop on the second day was Mystery Play Inside with Theo Ellsworth, a wonderful artist Boris and I came across when we were in Portland last July. I was excited to take a workshop with him because I really like his work, and admire his ability to recreate his own inner world through drawings. Theo provided everyone with a person-shaped piece of thick paper and did three different drawing exercises throughout the day to get us to “loosen up” our drawing skills. I found it difficult to sit and draw all day because I am more of a doodler these days, and it’s not my strongest ability.

Artfest 2009 - Drawings by Theo Ellsworth
The photo above are Theo’s examples to share with the class. The photo below are of Theo’s desk papers that he uses to test things on when drawing. These eventually become drawings of their own.

Artfest 2009 - Drawings by Theo Ellsworth-2

On the third and last day of class I took a metal working workshop with Richard Salley to make a Formfolded Copper Box. I loved playing with the metal, pounding it with hammers and folding into shapes. The lid of my box was much more bumpy and organic looking than everyone else’s work, and it made it difficult to attach to the hinge in the end. I was reminded of how much I hate soldering, but by the end of class I was much better at it.

Artfest 2009 - Form folded copper boxes by Richard  Salley
Examples of copper boxes by Richard Salley to get us inspired.

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My box with the crazy bumpy lid. I wasn’t happy with it when I finished but it has grown on me since then.

Copper box

Artfest 2009: Show and Tell

On the final evening of Artfest everyone brings their work together in one place for a group show. It’s a great way to see what people were doing in other classes. I think it also helps people decide on classes they may want to consider the next time they attend Artfest. It was really crowded in the hall, and the lighting wasn’t so great, but I did manage to take a few pictures of some of the work.

Artfest 2009 - Show and Tell night-16

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Artfest 2009 - Show and Tell night-9

I have more photos in an Artfest 2009 set on Flickr.

Artfest 2009

Artfest collage

On Wednesday morning I’m leaving for an artist retreat taking place at Fort Worden in Port Townsend, Washington. The event, Artfest 2009, is something I’ve been looking forward to since I first registered back in September. I’ll be taking a series of workshops over the course of my time there. I’m really excited about learning new techniques, getting inspired, and meeting other creative people. I’ll be taking a camera or three with me, along with my journal and sketchbook. I haven’t quite decided on the whether or not I’ll bring my laptop yet, because sometimes it’s nice to take a break from regular internet access.

One of the things participants needed to do in preparation for the event was create an artwork around the theme of "Sea Monsters, mostly of the eight-legged variety." There will be a group show of everyone’s work created for the event, and it should be interesting to see the variety of ways the theme has been interpreted. I decided to create the collage piece (featured above) using an illustration of an octopus I found and other elements of undersea life I had in my collection of ephemera. I don’t think it’s my best work but I am satisfied with it, and I was glad to work outside the limitations of my usual collage sketchbook.

Art Night

Weekly Moleskin Collage - January 28, 2009

For the last couple of years I’ve been organizing an evening to provide friends with the opportunity to work on creative projects. I started doing it because I kept hearing so many people express a wish for more time to [insert neglected project here] and felt this way myself. I think this is because the things we most often want to do tend to go by the wayside when life is busy. The idea for the event evolved out of the concept of a stitch n’ bitch and has become known as “Art Night”. It happens about every two to six weeks depending on schedules and interest. The projects people bring to work on range from things like knitting, crocheting, drawing, painting, collaging, and more recently, cooking and baking. Food is always a big part of the evening, and so is conversation.

We’ve recently begun to work on group projects on these evenings, which is something I’ve had in mind for ages. A few weeks ago James and Monique hosted the evening and came up with the idea of creating a mixed tape of songs based around the theme of a “great silence”. Each person brought a song and all were played throughout the evening. At the same time Kirsti and Darren brought along a box of old plastic letters and a digital camera set up for everyone to take turns shooting stills for a stop motion film. It made for a fun evening and I really loved how both projects had everyone’s creative juices flowing.

Weekly moleskin collage - March 11, 2009

For our most recent Art Night I asked everyone to bring twenty photos taken while traveling. Each person took a turn showing their photos and telling the story behind each one. It was an idea inspired by something Boris wanted to do and I thought it needed to happen. It was lovely to see the photos, hear the stories, and contrast and compare what each person chose to share about their travel experiences.

I’m sharing all of this because maybe it will inspire other people to have an Art Night of their own, and get even more people breaking out neglected hobbies and projects. There can never be enough creativity going on in the world, and the same goes for sources of inspiration and collaboration. Just make sure you have good food.

Sale: Metal Prints at Etsy.com

I’ve decided to put all of the metal prints I have listed in my Etsy shop on sale. The regular price is $45, now on sale for $35. This does not include shipping. Below are detail shots of two of the eleven prints.

Metal print - Stranded balloons detail

Metal print - posing crow detail

Each is a handmade aluminum metal print mounted on a wooden cradle frame. Size: 7″x 7″ with an image size of 5″x 5″. These prints are made using a heat transfer printing process, and the imagery are my photos taken with a holga camera.

rashe.etsy.com

Beautiful Shipping Crates: Vevex

Only once before have I had to ship large works of art to a gallery too far away for me to deliver by hand. This was at the end of 2007 for a group show in Los Angeles. I didn’t really know what I was doing and despite my best efforts both pieces, unframed metal prints that were 24″ x 24″, were damaged in transit. Despite a few dents they still made it into the show, thanks to quick repairs by the gallery owners.

The experience made me nervous about any future participation in shows outside of Vancouver but my desire to build a well-rounded art CV outweighs my fear of damaged art.

In my preparations for an upcoming group show in San Francisco (which I will blog about in more detail closer to the opening), I decided to go all out and have a proper shipping crate made for the framed print I needed to send. Kirsti had come across the work of Vevex and really liked the look of their shipping crates. I decided to give them a try myself, gulping a bit about what it might cost me.

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They were able to give me a quote by email based on the measurements of my work, and even sent me back a detailed spec sheet I could use to figure out shipping costs. The crate took two days to build, which was much quicker than I’d expected, and was delivered right to my door at an additional cost ($12). (This was awesome for me because I don’t have a car.) I was really impressed with the quality of the crate and almost felt it was a shame to send it off. The whole thing cost me $70. I consider it an investment in future shipping needs for my artistic career.

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The crate comes lined with ¾” polystyrene foam and allows some room for additional wrapping. A large plastic bag for wrapping is an additional $3.00, and bubble wrap is an additional $1.50.

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The crate is certified for worldwide shipment and comes with a collection of ‘fragile’, ‘glass’ and ‘this side up’ labels.

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It is really beautifully made. I kind of want more of them… 🙂

Vevex.com
(604) 254-1002, fax 1-866-883-3899, or send an email to: info@vevex.com

Developing Artist Survival Skills

Sunshine polaroid

I’m not sure whether I’ve mentioned this before on the blog but I recently created an inventory spreadsheet in order to keep track of my ready-for-sale art work. I have a lot of stuff kicking around, most of it left over from the last few shows I’ve put together, and some were created specifically to sell on Etsy. I was surprised by how much stuff I have ready to sell, just sitting around gathering dust and taking up room in my apartment when someone could be buying them. It’s hard to sell things when no one knows they’re there, not even me. Some of the work I’d forgotten about completely until I started the inventory. I won’t forget about them again thanks to my spreadsheet. The next step will be to figure out the what/where/how of making them available for sale.

Where did this brilliant yet simple idea come from you might wonder? From a great book every artist should have called, “Artist Survival Skills: How To Make A Living As A Canadian Visual Artist”, written by Chris Tyrell. Admittedly I haven’t read much of it thus far but I’m off to a great start with the inventory. 🙂