Fruits of a creative weekend

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These are collages one and two in my moleskin sketchbook, from my arty weekend on Bowen. I collaged, photographed with a pinhole camera, light painted with my digital camera, modeled, wrote long entries in my journal and ideas notebook, and did one small digital rough for the bird series (which may never see the light of day…)

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Buschlen Mowatt gallery on Georgia Street has an excellent show of work by Cecilia Z. Miguez. I saw it a few weeks ago and have been meaning to blog about it. She casts figures in bronze, then remixes them with found objects to create wonderfully whimsical characters. A larger variety of images of her work can be found here. I need to see this show again before it ends.

Gathering

Gathering

The other day I made a fresh batch of small metal prints, and as of this morning I have listed eight of these for sale on etsy. My shop can be found at rashe.etsy.com, and I have photo prints available there in addition to the metal prints. If you’ve always wanted one, now is the time to buy because I have used up all of my supplies for now.

Three of the shops I have recently made purchases from on etsy, and recommend:
Blockpartypress
Photoglassworks
Hollyhawk

Madhatter, the second

Madhatter, the second

Last week I decided to re-shoot the Madhatter self portrait I did a few months ago. I was never quite happy with the first one, though I do like it in it’s own way, because it wasn’t what I was picturing in my head. But the camera I was using at the time didn’t have a remote, and it was a bit tricky to line up the shot, balance a pile of hats on my head AND fire the camera.

For the second version I was shooting with a rebel XT using the remote, and it made things much easier. This time I could get the spacing in the shot I was hoping for and include more hats. I like the way the bottom hat cuts off my eyes in a weird way and makes the shot just a bit creepy.

Thanks to Hop Studios for their collective loan of awesome hats to include in the shot. ๐Ÿ™‚

Coming in for a landing

Coming in for a landing

I am at the beginning of sorting out a theme for a new body of work. I have birds on the brain as the main subject but I’m not sure where I want to go with them. I think ultimately this will be another large-scale image transfer project on either metal or wood, but deciding on materials and display is another matter entirely. First I need to work on imagery.

Today I spent some time reviewing usable bird shots in my archive and creating contact sheets to print out and hang on the wall. My friend Nicole once suggested I do this and I find it the most helpful way to begin visualizing how I want to work with a collection of images. I hang them in my workspace so I can stare at them constantly, and then my half-formed ideas start to evolve. I can already see this will be a photo manipulation project, and I have much more shooting to do. Birds are challenging subjects to work with.

Light painting at Moosecamp

Lighting Painting - Stewart Marshall
Stewart Marshall

My light painting session at Northern Voice was a big success on Friday afternoon. Everyone seemed to really enjoy themselves, and hopefully they learned something too. For me it was incredibly fun and inspiring to see such a large group of people creatively collaborating together, and I think we did some really great stuff. And to think I almost decided against doing light painting at all because I felt I didn’t know enough about it. My original intention had been to pull people aside throughout the day to pose for me one at a time, but I think the group session was a much better idea.

The whole thing was inspired by Julian Cash, and the fun shoot we did when I was in San Francisco last October. He’s done this sort of thing at conferences, like foocamp 2007, and I think it makes for much more interesting photos than what you’d typically see resulting from such an event. My purpose for doing it was to come up with creative photos, and I definitely did it. ๐Ÿ˜€

If there are enough people interested, I’d really love to do this again in the near future. I just need to find an appropriate venue that is both large enough and dark enough for long exposures.

Light painting - Sharen Burns
Sharen Burns
Light painting - Arieanna
Arieanna

See you at Northern Voice

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Untitled – Light painting portrait of Kirsti

I will be at Northern Voice for the next two days. It is the third year in a row I’ll be in attendance, and this year I’m involved as an assistant organizer of activities for Moosecamp. I’m hoping to revisit the meatspace mashup people graphs I did last year with Zak, take light painting portraits throughout the day, and maybe, possibly, participate as a speaker during the photocamp session – but only if Kris makes me. ๐Ÿ™‚ (I hate public speaking…)

Moleskin sketchbook

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I have had a loose goal of creating one collage every week in my moleskin sketchbook, and I have been trying to stick to it for months. I am only now managing to make it a regular thing. I think it helps if I don’t try to rush through it in one sitting. The above collage was done over the course of last week, between gathering the first round of materials, running out of glue, buying more, and then deciding it needed small finishing touches. It doesn’t normally take so long…

The idea of working of collage within a moleskin was inspired by the lovely work of my friend Degan.

Arts in the City, Arts in the Sanctuary

Stranded balloons - metal

Red above - metal

Two of my metal prints are in a group show at Grace Vancouver Church. The opening is this evening, Friday February 15th, at 7pm. The multimedia art show is part of the 8th annual Arts in the City, Arts in the Sanctuary festival.

An invite can be dowloaded here.

Arts in the City
Grace Vancouver Church
1696 West 7th Avenue
Vancouver BC

Landscapes of Vancouver – Yaletown Gallery

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A few weeks ago I was asked to help out with putting together a group show at Yaletown Gallery. The call for artists went out two weeks ago with a final deadline for entry as of last friday. On Saturday I met up with my fellow organizers to review the entries and make a final selection of work to be included in the show. It was a tough process for us to whittle the number down to only twenty but we were able to do it. I can’t wait to see how everything will look once we hang the show.

Congratulations to everyone who has been accepted and I look forward to meeting everyone at the opening.

Landscapes of Vancouver
Opening: Friday February 29, 2008 7:30 to 9:30
Yaletown Gallery
123 – 1208 Homer Street
Hours: Tuesday to Saturday, 12noon to 5pm or by appointment