Professional Development for Artists

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On Tuesday and Wednesday I listened in on Lisa Congdon’s class, Become a Working Artist, on Creative Live. Even though I’m well on my path as a working artist, I was curious to hear what she had to share. I readily admit I don’t have my career all figured out, and I was hoping for a few tidbits.

Lisa Congdon’s class is just the thing for someone starting out, with things like building a portfolio, marketing, social media, putting together a CV, etc. But there was plenty of information for more experienced artists as well. I really enjoyed the segments on goal setting, actionable tasks, creating a schedule, understanding the art world, and licensing work. These are all items I’m interested in (and kind of suck at), but it’s helpful to hear how someone else does things.

The way you learn how to be an artist is through trial and error, and through knowledge shared with you by another more experienced artist. I think art school helps to a certain degree, but I’m a self-taught artist finding my own way in the art world. There are oodles of resources out there in terms of artist materials, techniques, process, and mediums, but very little for professional development for artists.

I’ve focused more on consciously learning new skills (outside of art-making) these last two weeks, and it’s made me realize how little time I devote to professional development as an on-going goal. Watching the class, Become a Working Artist, was just the thing I needed to reinvigorate my desire to succeed as an artist, and to aim even higher in the goals I want to achieve.

If you’re interested in learning new things, visit the Creative Live website to check out the huge variety of classes they have available.

Doodle Evolution

The other week I bought a white ink Sakura Gelly Roll pen from Opus on impulse, and my doodling addiction was refueled. I tested it out on a piece of scrap card stock in black, and knew immediately I needed to do more.

Doodle evolution

Doodle evolution

This series of drawings combines all the shapes I often doodle on repeat individually into one crazy composition that plays with the eyes. The white ink on the black paper seems to glow. The drawing above is the first of the full size pieces I did on 8.5″ x 11″ cardstock.

Doodle evolution
Doodle evolution

After the first drawing I decided to work towards a circle as the end result. Pictured above are the first two of these doodle clusters, both of which I completed in one sitting.

The latest of these I worked on over a few days because I didn’t have enough time to work on it in a single sitting. The photos below are how the piece evolved as I worked on it.

Doodle evolution
Doodle evolution
Doodle evolution

In the process of working on all of these drawings I’ve used up the first Sakura pen I purchased and returned to Opus to buy more. These pens feel so lovely to move across a smooth surface, which is why I love to draw with them.

I am very pleased with this series of drawings and have decided to include some of them in my upcoming show at Kafka in October. More details to come about that…

Student Work From the Altered Book Workshop

I taught a new group of people how to transform old books into art at Hot Art Wet City this past weekend. It’s always an interesting exercise for me to take all the things I’ve taught myself about the process of making altered books and pass it on to other people. From there they take it in their own direction and I love to see what will happen.

Altered Book Workshop

Everything pictured here is a work in progress by a participant in the class. There was a nice mix of styles and a good amount of experimenting. I don’t think anyone fully completed a project, but that just meant they could keep working on it more at home.

Altered Book Workshop

The best part for me when I teach a class is seeing everyone leaving happy and inspired by the new things they’ve learned.

One Self Portrait a Month: Living In Colour

Last week I came across this colourful couch abandoned along a side street in my neighbourhood. Someone went to a lot of trouble to cover the entire thing with a range of neon colours – orange, green, pink, and yellow, with a bit of accented silver duct tape.

It’s pretty spectacular and special, so I decided to return another day and use it in my monthly self portrait.

Living In Colour

September self portrait

I had Boris’ assistance on this one because I wanted to do a jumping shot near the couch. My original idea was for me to be jumping off the couch but the tree branches above it got in the way. I’ve never tried a jumping shot before, and what I discovered is they are actually pretty challenging to do.

I hope the neon couch manages to stick around for awhile. It brings a smile to the faces of every person who passes it by.

Working In Layers and Dazzling the Eyes Part 2

I finished this second layered paper cut work a few weeks ago, but just didn’t get around to sharing it here until now. The papers I used for this work are a 98 lb lightly textured paper by Canson, and the final size is 19.25″ x 19.25″ to fit into a shadow box frame.

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photo 2 (12)

The bottom layer is white paper while the top layer is actually an indigo colour much darker than what is pictured here. My intention with the second layer of this paper cut was to make to less elaborate than the previous one I shared, but I didn’t really succeed. I’m not very good at pulling back on making these designs less intense than they are (as you can see from the detail photos).

photo 3 (3)

photo 4 (1)

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The final image is of the two layers flattened together. This piece is already framed and has the two pieces of paper mounted with space between and the cast shadows add more depth to the design.

Human Structures

It feels like an exciting time in Vancouver arts at the moment because of the work being done by Vancouver Biennale. There were installs of new public art pieces around the city over the summer, including the huge new mural by Os Gemeos on Granville Island and the sculpture pictured here by Jonathan Borofsky.

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It was a beautiful day to be outside on Saturday so I decided to walk over to Olympic Village, where this is installed, and take a look. It’s in a great location along the seawall with plenty of space around it. The work is made of painted and molded galvanized steel, featuring pixelated colourful figures stacked to the sky. It’s a striking sculpture and will be a welcome splash of colour in the area when the rainy days finally come around.

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Visit the Vancouver Biennale website to learn more, and for a short audio tour of the work.

Paper Cutting Demo at Opus Art Supplies for Fall

At the beginning of October I will be on location once again at Opus Art Supplies Hastings Street location giving an in-store demo of paper cutting techniques. The demo is FREE but you must register by phone (604‑678‑5889) to reserve a spot as space is limited.

Work-in-progress: Paper cut design

When I give these demos at Opus I try to do a thorough run down on knives, paper, techniques, and different ways to use paper cut elements in artwork.

Opus Artist Demo: Freeform Paper Cutting Techniques
Date: Sunday October 5th, 2014
Time: 11pm & 1pm
Cost: Free
Location: Opus Art Supplies, 100-207 West Hastings Street

Instagram for Artists Workshop

The Eastside Culture Crawl is offering a few workshops related to professional development for their participating artists. On Tuesday September 23rd I will be teaching the workshop, Instagram for Artists.

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Instagram is a mobile-based photo sharing app with 100 million active users, and the favourite Social Media tool for creative people. Rachael Ashe will demonstrate the potential of Instagram as a means for showcasing artwork, sharing process, and engaging a local and international online audience. The workshop will include a thorough exploration of Instagram functionality, how to use hashtags, apps to use with Instagram, building an audience, promoting your work etc.

I’ve taught this workshop a few times to small groups of artist friends and the feedback has been positive. I use Instagram daily to share my work, and I think it’s one of the best tools around for creative people.

Please visit the Eastside Culture Crawl website to sign up for this workshop »

New Work By M.A. Tateishi and a Show in Harrison

My friend M.A. Tateishi has an exhibition of new paintings at the Ranger Station Art Gallery in Harrison, BC. The show opened this past weekend so Boris and I decided to use it as an opportunity to go on a road trip adventure.

On Saturday morning we hopped in a Car2Go (because we don’t have a car of our own) and headed into the Fraser Valley. We made a few stops along the way to buy fresh local fruits and veggies, do a little thrifting at Value Village in Chilliwack, and grab to-go lemon sour cream pie from the Chilliwack Airport Coffee Shop (aka I Fly For Pie).

Pictured here are four new mixed media paintings by M.A. Tateishi. These are large 48″ x 48″ bold works with multiple layers of paper, paint, and resin on wood panel. It’s a tough call but I think Bumbleberry Pie is my favourite of the new work.

strawberrypie

strawberrypie

Born Again

Born Again

Raspberry Pie

Raspberry Pie

The show continues in Harrison for the month of September. View more photos of the work on M.A. Tateishi’s blog.

Working in Layers and Dazzling the Eyes

For the last few weeks I’ve been concentrating my paper cutting efforts on a series of larger pieces with two layers. I’m working with heavier and larger paper than usual, a 98 lb with light texture from Canson. These are being made to fit into 19.25″ x 19.25″ white shadowbox frames, with about an 1.25″ depth.

Work in progress paper cut

Work in progress paper cut-2

These are quick work in progress photos of the first of these pieces. The bottom layer is white paper to be backed in red, while the second layer is red paper to be backed with white. You can see the full size of the paper I am working with and how it overflows the easel. The tricky bit has been to not wreck the piece while I work because I rotate the material as I cut.

Work in progress paper cut-3

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The final image here is of the two pieces layered flat together, but my intention with the framing is to give them space and allow for the play of light and shadow. At this is smaller size the whole thing is pretty intense on the eyes, which I rather like.