One of my altered books will be on display at Artworks-mk in the UK. The show is titled (e)motive, and was curated by two lovely ladies, Melanie and Emma, behind weloveyourbooks.com
There is an exhibition catalogue available for purchase online, and you can view photos of the selected work on flickr.
(e)motive
August 28th to September 24th, 2010
Artworks-mk
Great Linford Arts Workshop, Parklands,
Great Linford, Milton Keynes,
MK14 5DZ, UK
Back in June Stephanie wrote a wonderful blog post about books that guided her through design school. I was really inspired by this and decided I wanted to write something along the same lines about the books that have inspired me in my own work as an artist. I’ve included photos of the covers and links to purchasing each online, just in case any of these take your fancy.
New Directions in Altered Books by Gabe Cyr
This is the book that started me down the road of altering old books and turning them into art. For years I had been pondering using books in my work and through the ideas in this book I was finally able to move from thinking to making real work. There are plenty of projects to choose from with excellent step-by-step instructions, and a large gallery of work for inspiration.
Paper Engineering & Pop-Ups for Dummies by Rob Ives
Making altered books eventually led me to experimenting with movable parts and pop-ups and this book has been a terrific resource for ideas. There are many patterns in this book for making paper mechanisms. I tend to use it as a jumping off point for figuring out how to make a custom piece to suit my needs.
The Penland Book of Handmade Books
While this book does have instructional pieces in it I actually bought it for the gallery of works, many of which push the boundary of what is a book. The image on the cover is a great example of this. The book is a collaboration between Lark Books and the Penland School of Crafts, located in North Carolina. There is some really incredible art work inside.
Playing with Books by Jason Thompson
I originally picked up this book for the fabulous gallery of work in the back featuring many of the internationally known altered book artists I’ve come across. Most of the content is instructional with projects about making things from book pages rather than full books. I used one example to create the five petal flowers for my installation in Container Art. Lots of the projects inside are decorative.
Creative Time & Space: Making Room For Making Art by Rice Freeman-Zachery
Nothing is more helpful to an artist than talking to other artists about how they pursue their art. This is a book which is a great resource for how to make time and create space in your life to be creative. It’s written by an artist and it features many helpful hints from the fourteen artists she interviewed for the book. All of them pursue their craft full time and have worked hard to make it work for them.
Artist Survival Skills by Chris Tyrell
I’ve come to realize that to be a successful artist you have to think about yourself as an entrepreneur. It’s one of those things they don’t teach in art school and have to learn along the way. Chris Tyrell’s book is a handy reference for helping to develop a professional art practice beyond the art making, with hints on pricing art, maintaining an inventory list of work, developing mailing lists, and the dreaded taxes. I took a four week workshop with Chris last year, which was money well spent and a kickstart to my current trajectory as an artist.
If you’re interested in buying any of these books, do try RubyDog’s Art House for the books on altered books. It’s where I’ve purchases some of these and Leanne has many other creative resources in the shop. As much as possible I like to support local stores when book buying.
Allow me to introduce you to my cute new handbag made by Amrita Designs. I bought it at the Powell Street festival a few weekends ago after falling in love with the bird fabric and interesting structure of the bag.
I wanted to share it not to show off a new purchase but rather to highlight the designer who made it and give her some “google juice”. She doesn’t have a website or any internet presence to speak of and I think that’s a shame because she makes really lovely bags. Luckily what I can point you to is her next appearance, at the Britannia Centre’s Handmade Market this Sunday. Maybe you’ll find a cute new handbag too.
If you’re interested in a bag made by Amrita Designs, please contact Aya by email: amritadesigns (at) hotmail (dot) com.
This week I’ve spent every day onsite at the PNE working on my installation for the Container Art show. I wasn’t expecting to be there so much but I had a few technical difficulties with the hanging on Monday and then I’ve been back a few times to tweak different things. Everything else I needed to do has gone by the wayside this week because nothing is more important than getting this show exactly right before the PNE opens.
It’s been a great experience so far and the staff at the PNE have been supportive and helpful. I’ve met some of the other artists also showing at Container Art and it’s wonderful to see the different types of work and how each person has chosen to make use of their shipping container gallery space. I don’t have photos yet of anyone else’s work because everyone is still in the process of installing.
This is what the Container Art Gallery space looks like from the outside, to give you an idea of what to look for. It’s big and hard to miss. There will be video projections and light displays on the outside during the evening hours of the PNE. On the inside there will be art, including paintings, altered books, and wild installations I’m not sure how to describe. You’ll just have to go and see it for yourselves.
In my container the twenty-five encyclopedias float along the side and back walls, and the multitude of paper flowers I was working on last week hang from the ceiling. The final touch was to add a few arrangements of driftwood, pine cones, sticks, rocks and wildflowers along the bottom wall and corners. These were a last minute addition I decided was needed because the space along the lower part of the walls looked stark and empty.
The work will be on display for the two week run of the PNE and access to the Container Art show is included with the price of admission. Check it out if you get the chance and please do social share about the show on twitter, facebook, flickr, etc.
Earlier this week I decided the installation I’ve been putting together for Container Art needed “something more”, and so I started making paper flowers. These are made from five pieces of paper and then attached together with glue. I have made about fifty of them using pages cut from one of the left over encyclopedia volumes. You’ll have to wait and see what I’m going to do with them as part of the display.
The paper flower design is taken from Playing With Books by Jason Thompson, which I purchased from RubyDog’s Art House.
[A big thank you to Ariane for coming over earlier this week to hang out and help me make a few of the flowers.]
I finished the last book in the Forgotten Knowledge series last Friday morning and felt a mix of relief, satisfaction and sadness at finally getting them all done. I arranged them on the dinning room table in a circle to take a look at them for the first time as a set. They look amazing.
While there are about a million ways for these to be displayed, for the purposes of the Container Art space they will be hung on the wall fully open. I hope you can drop by the PNE and visit the show. More photos to come once this work is installed.
I was away on Quadra Island with Boris’ family last week which was a vacation but it also meant a long break from working on this project. Monday I resumed cutting up encyclopedias and as of today I have twenty-one of the twenty-five books completed. I love it when hard work pays off and things go smoothly. When all the books are done I can get started on some of the other ideas I have in mind to pull together for the installation. I have about two weeks left before this gets installed in the Container. I’m excited.
The books featured in these photos contain seaweed, deer vertebrae, some form of fungus, chamomile, acorn caps, and drift wood. I had to rehydrate the seaweed in order to work with it because it was too dry and brittle to put in a book after sitting in my studio for weeks. I was amazed at how well it revived. It will dry out again over time, as will the chamomile flowers, but I’m okay with that.
Previous posts about this project (which will be on display in the Container Art show at the PNE): [1] [2] [3]
It’s my birthday today and I thought I’d mark it with a self portrait. I haven’t taken one in quite some time and last year I didn’t do a birthday portrait because I wasn’t feeling great. A year later and things are much better because I’ve made a lot of the changes and taken my life in a direction I’ve always wanted to go.
This photo didn’t turn out at all how I was visualizing it in my head, but I’m happy with it. I love my goofy facial expression and the magic of floating mid-air in my bedroom.
The coffee cup that says fart. This cracks me up.
This week I’ve been working away at the individual altered books that will be assembled into the installation for the Container Art show. I set a goal to complete ten of these by the end of this week and as of yesterday afternoon I finished number eight. I’m very pleased with how this project is slowly coming together. Once all the books are finished I need to do further planning on how these will be displayed. My idea has evolved a bit since I wrote up the proposal over a month ago.
