My Experience as a First Time Artist on the Eastside Culture Crawl

Let me just start by saying, there is absolutely no way I could have taken part in the Eastside Culture Crawl this past weekend without the support of my partner Boris. Not only was he okay with the transformation our home into an art gallery for three days, he also played the gracious host and spoke with people about my work when I wasn’t available. He was in this thing as much as I was, and for that I am very very grateful.

Our apartment transformed beautifully into a cozy little gallery space. The living and dining rooms were open to the public and filled with artwork while the back hallway, bedrooms, and bathroom were not accessible. I set up a table in the hallway to block the way and created an installation of paper snowflakes as a point of interest that also acted as barrier to places I didn’t want people going into. The snowflakes are made of individual dictionary pages cut into shape and glued together. It was a last minute crazy-person project I decided to do the day before the Crawl.

Eastside Culture Crawl

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I cleared out most of our furniture and clutter to create an open space for people to walk through easily. The living room walls were hung with altered books, with the wooden animal series along one wall, and an eclectic mix of altered books on the opposite wall. I also had a small table full of lower priced items, such as cradle frame collages, small metal prints, and postcard sets.

Eastside Culture Crawl

In the dining room I set up my installation work. The Tree of [Un]common Knowledge was against the back wall with an improvised light made from a bare lightbulb housed carefully in an arrangement of books. I set this up so the lighting cast interesting shadows on the wall above the tree.

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The Forgotten Knowledge series of books was set up on a table arranged in a circle with the paper flowers on top. People found both of these projects fascinating, and it was great when someone recognized these works either from Container Art or the CreativeMix Conference where they’d separately each been previously shown.

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The remaining walls were hung with large metal prints and the few altered books I couldn’t fit in the living room. It was a wide variety of work for people to see and gave us much to talk about explaining the ideas or process behind each one. Every item (except the installation work) was clearly marked with a price, and I had business cards placed around the room for people to grab. I also posted by the front door a printed copy of articles featuring my work in both the Georgia Straight and The Province.

I had a really good experience for my first ever time as a participating artist on the Culture Crawl. I was told not to expect too much but I surpassed even the lowest expectations I did have. Almost three hundred people came through my apartment over the course of the weekend, which is really good for someone unknown and slightly off the beaten path of the rest of the Crawl. I sold two altered books, two collages, three metal prints, countless postcard sets, and had many new people sign up for my mailing list. I also had wonderful feedback from people and many a good conversation about art and books. I feel very lucky things went so well, and I hope to do it again next year. (I’m pretty sure Boris and I will recover by then).

I started this blog post with a thank you and must end it the same way, because I wouldn’t be able to do any of this without the people who support me.

Thank you to Horst and Anne for bringing food throughout the weekend and helping out. Thank you to James and Monique for whisking us away at the end of Saturday for a delicious home cooked meal and a relaxing evening after a crazy day. Thank you to Jess and Stewart for helping me keep count and letting people into the building on Saturday. Thank you to Kai for keeping count on Sunday, and to Ariane for bringing me a bag full of snacks on Saturday.

Thank you to so many of our other friends for taking time on a very busy weekend to drop in to see the show. It was wonderful to have everyone here, and I’m very grateful for the kindness and support.

Process & Intent; The Making of Art

I am one of fifteen artists with work in the Culture Crawl preview show, Process & Intent. I created a site-specific wall sculpture at the Cultch using scrap pieces of pages cut from finished altered books.

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For the Crawl, artists tidy their studios, sweep away the sawdust, scrape away the clay and present their work in a finished state, with usually just a few clues as to how the pieces unfolded. But the work you see is the result of untold hours of focused work and countless moments of problem solving: hitting a wall and persevering, and often of large financial investment. Of course, finished work is what we are striving for but for many artists, the process is where the “art” actually lies. Everyone else gets just part of the story in the form of the final piece.

For this show, as a preview presentation for this year’s 14th Annual Eastside Culture Crawl, curator Alex Henderson has decided to take the idea of the ‘preview’ in a more literal sense by showcasing the process behind some the works you will see in the studios. This is a rare opportunity to see the prototypes, the sketches books and the works in progress that reveal a little more of the story of art and artists in our community.

Process & Intent: The Making of Art
Featuring the work of 15 artists working in a range of media
The Cultch
1895 Venables Street, Vancouver. BC
Dates: November 10th to the 28th, 2010
Hours: Mon to Fri, 12-6pm. Saturday, 12-4pm, and always open 1 hour prior to scheduled performances.
Opening night is November 21st at 7pm.

Pop-Up Now! An International Exhibition of Movable Artist Books

I have one of my altered books in this show at 23 Sandy Gallery in Portland. It opens this week, with the artist reception on October 1st (I won’t be in attendance).

The exhibition features handmade and altered books with movable parts and pop-ups. If you can’t make it in person, then check out the online catalogue. There’s lots of amazing work in the show.

Pop-Up Now!
23 Sandy Gallery
623 NE 23rd Avenue
Portland, OR 97232
Hours: Thursday, Friday, Saturday – Noon to 6:00 p.m

Light Leaks Magazine Showcase Gallery

Back in April I was approached by the editors of Light Leaks Magazine to do a showcase of my toy camera and polaroid photos. I was thrilled because it’s a toy camera magazine I’ve been reading for the past couple of years, and there’s always interesting work to be seen in it’s pages. The latest issue just went live and you can buy your own copy online.

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I’m really happy with the selection of images that have been included in the showcase. Featured here are photos taken with a holga, Vivitar Ultra Wide & Slim, polaroid, and a P-Sharan pinhole camera.

Good News: Container Art & The Eastside Culture Crawl

The last few weeks I’ve been stressing over the mail because two important items I’d sent off in June were taking a REALLY long time to show up at their intended destination. I hate things like this because there is absolutely nothing I can do about lost mail. One of these items was a cheque covering my registration fee in the East Side Culture crawl and it’s failure to reach the organizers in a timely fashion meant having to pay an additional fifty dollars. The increased cost had me reconsidering taking part in this event because money is tight right now. But much to my relief the cheque finally arrived after a two week trip around Vancouver. Apparently part of the mailing address contact information on the Crawl’s web site was incorrect, and many notes on the envelope later my cheque found itself at the correct address. Phew!

On the very same day the cheque arrived I had another piece of good news I’d been waiting for. I received an email from the organizers of the Container Art show letting me know I’d been chosen as one of the twelve participating artists. What is the Container Art show you might ask? It’s a bit of a traveling art show which uses empty shipping containers as the venue for artists to create site specific work in a variety of mediums. There have been Container Art shows in Rome, New York, Jerusalem, Milano, etc., and this is the second year this will be done on site at the PNE grounds.

Forgotten Knowledge

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The project I am putting together for this show is book based. As mentioned in my monthly newsletter, and a previous blog post, I’ll be working with twenty-five volumes of a set of encyclopedias and combining these with found objects. At the moment I only have five of the twenty-five completed and about a month left until the date of installation, but I am so excited to be in this show. It’s an incredible opportunity for me and it’s been just the right motivation I needed to try something on a larger scale than my previous work.

Stay tuned as I work my way through to the end of this project, and please do come and see it at the PNE in August.

Interview With Ukrainian Book Blog, Chytomo

A few months ago I was contacted by Ira and Oksana, two people in the Ukraine who write a book blog called Chytomo. They did an interview with me by email about my altered book works and this was translated into Ukrainian. It just recently went live on Chytomo so I thought I’d post the original English version here for people to read.

Altered Book: Living Well, Sip by Sip

Chytomo: Can you tell us something about your first experience of altered book creation? Why did you begin to transform already published books?

RA: I started thinking about using books to create artwork in 2007, when I saw the work of Timothy Karpinski in Portland. He had painted his illustration onto the pages of old books, and I loved the idea. I was inspired and decided to apply the idea using photos, as my work at the time was primarily photography. This led to experimentation using inkjet image transfer paper to print my photographs within the pages of books. But the image transfer process didn’t mix well with the aged and brittle paper of book pages, so I left this idea on hold until I felt I had the right tools to create work in the way I envisioned.

In late 2007 I began to work in mixed media collage and spent the next two years developing a feel for techniques. My primary medium has always been film photography but as I worked more with a digital format I craved the satisfaction of creating work “hands-on”. In September 2009 I came across a wonderful book called, “New Directions in Altered Books” and suddenly my long neglected desire to work with books was reignited. It opened up a whole new world of artistic possibilities for me, and creating collage in three dimensions.

Chytomo: I haven’t noticed you to use the term “artbook”. I am right? Іs it because of another meaning of your artworks? what means “altered book”? (maybe, I have difficulties with translation? is it your own definition?)

RA: I use the term “altered book” because I take existing books and alter them to create my artwork, rather than making the book itself. It’s not my own definition.

Chytomo: The material for your artworks are the old books. And what the source of inspiration?

RA: There are two different ways I approach creating an altered book. Sometimes I want to experiment with a particular way of altering the book, for example a way of folding the pages or cutting into the book. Another source of inspiration are the objects or materials I have on hand. In the case of the few books I’ve created using wooden toy animals i was very much inspired to create an appropriate home for them.

Chytomo: And why such kind of material? Do you think the traditional kinds of materials have a limited abilities of expression? It seemed to have more social sense?

RA: I tend to use whatever I can find, either in stores or coming across items while wandering around outside. I am self-taught in these techniques so I don’t have any pre-conceived ideas of how I should be doing this or what materials I should be using. I think with collage pretty much anything can be used as a material.

Chytomo: What are the prefered techniques in this artwork?

RA: Because I’ve only been making altered books for about ten months I don’t yet have a preferred technique for how to approach making them. I try to experiment as much as possible because there are so many different things I can do to books.

Chytomo: How much does it take to create such kind of book and how many books had been already created?

RA: It takes me somewhere between 8 to 10 hours to create an altered book. The time varies depending upon what I’m trying to make. I have made nineteen altered books to date.

Chytomo: Is there any connection between the book content and further artwork?

RA: The content of the books I’ve chosen so far have nothing to do with the compositions I create within their pages. I try not to pay too much attention to what the book is about.

Chytomo: Do you have some favourite authors to work with?

RA: Not for making the altered books, but I do for reading. 🙂

Chytomo: Do you use only old books? Is it because the modern literature can’t inspire?

RA: Most of the books are old but this is more because older books were made with a stitched binding. Modern books are more often put together with a glued binding and this limits what I can do with the book because it’s more fragile.

Chytomo: Do you like to read? What are your favourite books?

RA: I do love to read. Some of my favorite books that I’ve read recently are, “The Time Traveler’s Wife”, “Animal, Vegetable, Miracle”, and “The Gargoyle”.

Chytomo: Is it your main job? Or it is just something like hobby?

RA: At the moment I am concentrating full-time on working as an artist. I was working for a web design company here in Vancouver, but decided to take a break from working for someone else to concentrate on my art.

Chytomo: What the average price of your altered book? Is it possible to order it from Ukraine? In what way?

RA: Some of the altered books are available online in my etsy shop. The average price is $500 USD.

Chytomo: Can you name anybody, who creates such kind of books and has a big “artbook name”?

RA: There are quite a few artists I’ve come across since I’ve started doing this who also work with books:
Brian Dettmer’s book autopsies, Georgia Russell slashes and cuts books, and Su Blackwell creates lovely dioramas in books.

Chytomo: Can you say something about Ukrainian books or artbooks?

RA: I’m not familiar with any Ukranian books or artbooks, but I’ve always admired Ukranian pattern design.

Many thanks to Ira and Oksana for interviewing me. I would love to do more interviews like this by email or in person, because it’s good practice for talking about my work. (This is a hint to let me know if you think of any such opportunities.)

The “What The Hell Am I Doing” Crisis

I attended the opening of Eco Madness at Gallery Gachet on Friday evening and I must say, the experience really put me into a tailspin about where I’m going and what I should be doing with my work in future. I put a lot of effort into writing up a proposal to submit for the show and also running around to get the work printed and framed. It didn’t feel worth it once I took a look at the rest of the show, not because the rest of the work wasn’t good, but because there was such a wide range of styles and mediums that it didn’t really work together. It was especially disappointing to discover the positioning of my work on a wall that is in a hidden corner and hard to view.

I had a crisis later in the evening wondering what the hell I am doing, why I’m doing it, and should I even keep bothering. The answer to the last question is YES YES YES because this is something I love to do and I’m doing it because it makes me happy. Maybe I’ll just avoid group shows in future because too often I don’t get enough out of them other than something to put on my resume, and I already have enough of those.

Below is part of the submission I put together for Eco Madness. I had proposed four of the Imaginary Girl nature themed portraits and two were accepted into the show. At the very least it was an interesting exercise in writing down thoughts I’ve had around some of these portraits. The image below is a mock up of how I wanted to hang the grouping of four images.

Artist Statement:
My nature themed photos are a small grouping of images within a larger portrait series of women titled, “Imaginary Girl”. My intent when using natural settings is to convey a strong connection between the human subject and the environment. It is as if they are woodland creatures peering between the leaves that frame them. The women are fully integrated into the natural setting rather than merely using it as a backdrop. The idea is that nature is a place of nurture for human beings as it is for every other living creature. It is a place to slow down and clear one’s head, to recharge and become centered, and to take shelter.

I know I am made from this earth,
as my mother’s hands were made from this earth,
as her dream came from this earth and all that I know, I know in this earth…
and I long to tell you,
you who are earth too,
and listen as we speak to each other of what we know:
the light is in us.

~ Susan Griffin

Altered Books for Sale on Etsy

Yes, it’s true. There are altered books listed for sale on Etsy. Please do check them out in my shop and share them with your friends. An independent artist is only as successful as the audience who is willing to support and share their work.

Since the altered books have returned home from the show at Art Space Vancouver, I’d been going back and forth about whether or not to list this work on Etsy. I was questioning if there is an audience for them there, whether a craft-focused site was the right fit for this type of work, and had my doubts about people purchasing work from Etsy that is of a higher price point. But it makes sense to have them there because I need to let people know they are for sale and it’s the simplest tool in which to do this. I’ve sold six of these books but I need to reach a wider audience of buyers.

I decided to rephotograph each book for listing on Etsy, to show different angles and how they look framed. I used studio lights instead of the on-camera flash I typically use when I document work for posting to Flickr and my blog. I realized as I did all this how amazingly simple the whole process of documenting artwork has become thanks to digital photography. I had the first few books on Etsy in a matter of hours, which is pretty damn awesome.

I’ve been extremely well organized about documenting the altered book work as I go along, and as I was creating the listings on Etsy I realized how valuable this is to treating my art as a business. I photograph and blog about them as soon as one is finished, and I also track them in an inventory spreadsheet in Google docs. Having so much information already on hand and online made it incredibly easy to put together the listing description and (voilà!) have new work listed for sale in an efficient fashion. It really pays off to be an organized artist, which is something that has taken me a really long time to learn.

As a side note, I’ve just started sending out a monthly newsletter with updates about upcoming exhibitions (my own and others) and new work. You can subscribe here, and I promise to keep things fun.

Trees I Have Dreamed at Waterfront Theatre

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In an unexpected turn of events I now have two art shows up at the same time, and I couldn’t be more thrilled.

A few weeks ago I had an email from the Granville Island Cultural Society wanting to confirm the load in date of my show at Waterfront Theatre. I was taken aback because when last I’d been in touch with them regarding this particular show it was supposed to be rescheduled for another time because nothing was booked in the theatre space. To give a bit of backstory, I’d applied and been accepted in early 2009 to show my work at Waterfront Theatre in 2010 from the beginning of March to mid-April. When I’d followed up in September of last year to start preparing for the show I was told the theatre wasn’t yet booked for the time period of my show which meant no one would be in the space to see my work. I was disappointed but I decided to reschedule for another time rather than having a show in a space no one would be visiting.

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Fast forward to two weeks ago and colour me surprised (and pleased!) because the show is still on afterall. The timing couldn’t be better because I am now a full time artist and getting more work out into the world is a good thing.

Luckily I’ve had a very productive period of art work creation over the last few years and I had a show on hand that was ready to go in the very short amount of time I had to prepare. In my application for Waterfront Theatre I had proposed to show the metal prints because at the time it was the most consistent body of work I had. Even though I had originally intended to create new work for this show I’m not disappointed. I’ve always wanted to show the large scale metal prints again and not just have them gathering dust in storage.

Metal prints

I’ll be having an artist reception towards the end of March, and will post details here once the date is confirmed. Boris has a few photos up of the work hanging in Waterfront Theatre.

Trees I have Dreamed
March 1st to April 11th, 2010
Waterfront Theatre, Granville Island
1412 Cartwright Street
Vancouver BC