Around the World Blog Hop

I was invited by Kim Werker to participate in an Around the World Blog Hop. (Yes, we are in the same city rather than on the other side of the world, but no one is going to call us on it). These are my answers to the four questions related to my creative practice. You can read Kim’s answers here.

Laser cut commission - detail

What am I working on?
I feel as if I am working on a ridiculous amount of stuff at the moment. I have a show coming up later this year in Vancouver and I’m creating a new series of paper cut pieces for this. At the same time I need to put together work for a show happening in Halifax in 2015, because this exhibition will be larger. These are longer term deadlines I am working towards, while also completing a commission of fifteen small paper cut designs for a client, and preparing work to exhibit at Vancouver Mini Maker Faire this past weekend.

I curate the speaker series, Hot Talks, for Hot Art Wet City gallery, and I am in the process of scheduling people for the remaining months of 2014. I’ve also recently started hosting an Art & Craft Social evening at the gallery, and have been working on outreach to make sure the next event is well attended.

How does my work differ from others of its genre?
Hmmm. I’m not sure how to answer this question because I’m uncertain of the genre I fit into. I sometimes feel like an anomaly because my art has evolved dramatically over the past five or six years. I was a photographer for about fifteen years, and I stumbled into creating paper based art first in the form of collage, then altered book sculpture, and now paper cutting.

I think the paper cutting work I create is distinctly different from most of the work people typically see, which is illustrative, while my work is very abstract. I also don’t draw the designs first. I create them directly with the knife and create the composition as I go.

Why do I write/create what I do?
I create because I need to. I get antsy if too much time passes and I haven’t cut, drawn, baked, crafted, or done making in some form. My brain needs to create in order to stay sane. I think this is the case for many creative people.

With the paper cut work specifically I am drawn to the process of it, to the feel of the knife slicing through the paper and creating these intricate designs from simple shapes. It’s such satisfying work to me. I am not a patient person but the work gives me focus, and teaches me to be disciplined, otherwise I’d never get one completed.

How does my writing/creating process work?
I have a self-directed artistic practice and it is centered around process driven work. I start with the materials at hand, a piece of white paper, a fresh blade in my xacto knife, and a cutting mat on a desk top easel. I begin to cut a simple shape, which I repeat over and over until the work feels done. I work in a freeform way and let things develop as I go.

Work in Progress: Kirigami

If you’ve been wondering what I’ll be working on at Vancouver Mini Maker Faire this weekend, here is a sneak preview. I’d been wracking my brain for a simple idea and I decided to try kirigami style paper cutting, which is essentially fancy schmancy snowflakes out of coloured paper.

Kirigami paper cuts

Kirigami paper cuts

I am completely obsessed with making these because they are so simple and beautiful. I use a knife as my cutting tool rather than scissors. It allows me to be more intricate with the designs. I have a pile of the cut off pieces and they look almost as interesting as the rest of the pieces.

Kirigami paper cuts

Kirigami paper cuts

I’m doing some of the preparation for this in advance but mostly I’ll be working on this throughout Maker Faire weekend. I’m curious to see how large an installation I can create over two days.

Paper Cut Work: Concentric Circles

I’ve been working on this paper cut piece for the last week and just finished it today. I was inspired to make something with concentric circles after exploring ideas for a recent commission of a series of small pieces. This one is personal work for an upcoming show.

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I took a few photos as I made progress, and kept wishing I could’ve shot a timelapse of the entire process. I will do this with a future piece with a bit more planning.

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The finished paper cut design is backed here with red paper to better show off the line work. This is cut from a piece of 14″ x 17″ Strathmore drawing paper in medium weight, and the diameter of the circles is 12.25″.

More work from this series can be seen here and here.

Work in Progress: Circle Shaped Cut Paper

The two small circle shaped paper cut pieces I shared last week led to work on a larger one. I need to create new work for an upcoming show in the fall, and I want these to be larger than previous pieces.

I’ve been working with tyvek a bit lately (on something I haven’t yet shared on the blog) and it felt weird to be cutting paper. The texture felt rougher after the smooth and easy cutting tyvek.

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Work in progress paper cut

The full size of this work is 14″ x 17″ archival drawing paper. The paper cut design is about 11.5″ in diameter.

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I like this same idea at the larger size because the shapes and lines have become even more intricate. I can’t wait to get working on another one but perhaps end in a different overall form.

These are photos I took as I worked on this and shared on Instagram. Follow along there for daily updates of what I’m working on.

Cut Paper Cube Sculpture

I’m continuing with my close-up look at some of the recent work I created for Voices From Another Room at Hot Art Wet City.

I wanted to explore different forms with the three dimensional paper cut vessels, and I had this idea of creating a sculpture of stacked cubes. Some of the previous vessels are pieced together from multiple pieces of paper, while others are created from a single sheet. In the case of these cubes, these were each cut from a single sheet of 8.5″ x 11″ black cardstock.

Cut Paper Cubes

Cut paper cubes

I found a template on creating square boxes and used this as my guide to the structure of the box, but hand drew each one in the end. The designs were created freeform and hand cut using an xacto knife. I made six of these in all with the idea they would cluster together on a plith. Each cube is 2.5″ x 2.5″ square.

Cut paper cubes

Cut paper cubes

As with the flowerbust installation shared previously, I think I will continue creating more of these to build further on the idea for a future show.

Flower-burst Installation

What began as playing around in the studio last July, evolved into a long term side project by September, has become an intricate paper installation for Voices From Another Room.

I’d always had the idea in mind to create something larger from this series of small paper cut “flower-bursts” but until fairly recently, I had no idea how to bring them together. I’d considered stitching them, but decided the thinly cut paper was too fragile.

Work-in-progress paper cut project

When I was experimenting with pining these to a wall, the pins were to delicate and difficult to penetrate the surface of the wall. I decided to use a piece of black foamcore as my base, which also allowed me to place and arrange the flower-bursts in layers. Eventually I figured out I needed to cut the foamcore into small circles of various sizes and have the installation become a modular piece I can arrange in various formations.

Voices From Another Room

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The end result is what you see above.

I’ve decided to keep making these and eventually create an even larger arrangement for a show I’m doing a year from now. At the moment I have just over one hundred individual paper cut flower-bursts, but how will it look with two or three hundred…?

Installation In-Progress: Flight Path / Taking Flight

For the past two days Boris and I have working away on my installation at the Gladstone Hotel for the exhibition, If Walls Could Talk. We had three days for install but we managed to get it done in two. It was a tonne of work, and at the beginning I truly had my doubts this piece would come together, but the completed installation looks even better than I’d hoped.

I made sure to document the process from the beginning, starting with Boris up a ladder weaving metal cable back and forth through the existing hooks in the twelve foot ceiling. The cable is the basic infrastructure from which all the wing clusters hang.

Flight Pattern - Taking Flight Installation

Flight Pattern - Taking Flight Installation-2

The clusters are made up of eight wings cut from card stock in various sizes and shapes. I was using the bottom of the ladder as a staging an assembling area to string the wire, and then cut and fit the wings together one cluster at a time.

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Boris did all of the ladder work on my behalf, which I am extremely grateful for because I am afraid of heights and this was a twelve foot ceiling.

Once we get a rhythm going, I was assembling six to eight wing clusters at a time so we could hang a bunch in one go. It was a good way to work because it filled the space faster, and helped me figure out how much more we needed to complete the work.

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I cut just over six hundred individual wings to use in the installation, and did not end up needing to include them all. I think the final tally of wings included in the piece is somewhere between four and five hundred. I wanted to make sure I had more than enough to work with because I wouldn’t be able to cut more once I arrived in Toronto. The wings were created using a Silhouette Cameo digital cutter, rather than done by hand. I am not that crazy.

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Flight Pattern - Taking Flight Installation

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Once the installation was completed we tweaked the lighting. The shadows projected on the wall behind it are pretty dramatic and incredible. It adds a beautiful sense of movement to the piece.

Flight Pattern - Taking Flight Installation

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Here is a short video of Flight Path / Taking Flight. I think this may win as the largest piece of artwork I have made to date.

You can see Flight Path / Taking Flight as part of If Walls Could Talk at the Gladstone Hotel in Toronto. The show opens Thursday March 6th 2014, and my work will be up until March 16th.

Work in Progress: Flight Pattern / Taking Flight

For the last few weeks I’ve been trying to fast track the production of a paper installation made up of a ridiculous amount of individual pieces of paper. I’ve been using the digital cutter to do most of the cutting for me, but it hasn’t been a smooth process because the machine has a tendency towards paper butchery at random intervals. It’s a moody little beast, but to be fair, I have asked it to cut a couple hundred (or so) pieces of paper over the last few weeks.

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My final count, for now, is about six hundred paper wings in white, silver, beige, and black paper. It should work out to about sixty clusters of these wings, which will hopefully fill up the space nicely where these will hang. There is a lot of guess work going on here because I’ve only seen photos and videos of the space these are destined for.

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Yesterday I took one of the black wings and used it as a surface to doodle a meditative drawing. I love the way this looks and it made me wish I could so this with all them. But I’m not that crazy…

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Meditative Drawing

On Friday afternoon I found myself doodling with a silver gel pen on card stock, not with any purpose in mind or end goal. I wanted to keep my hands moving while my mind wandered and I worked through something completely unrelated in my head. It was soothing to move the pen across the page making a grouping of curved lines, and then eventually straight lines interconnected into clusters of triangles. (None of which is pictured here).

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I’ve drawn like this before in my sketchbook but the silver gel pen on black paper makes it something fascinating and special. The initial drawing I did on Friday led to a whole lot more over the weekend, because when I like something I am obsessive about it. I’ve completed four of these on 8.5″ x 11″ paper.

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The drawings are a meditative process on par with the paper cutting work I love to do. My mind becomes a calm blank if I allow it to, and I don’t see any further than the next line or cut. It feels as good as the smooth glide of the gel pen across the page.

Paper Cutting Timelapse

In preparation for my Creative Mornings talk I felt it was important to include examples of my making so it wasn’t all talk.

I used two time lapse videos, one shot and edited by Lee and Sachi LeFever of me making their yarn tree. The second video I did myself using iTimelapse on Boris’ iPhone 5.

This is about an hour of work. Every time I watch this I am amazed I don’t cut my fingers more often….