Change the way you tell the story

Follow the white rabbit
From Free Will Astrology:

LEO (July 23-Aug. 22): Change your password. Take a different way home. Ask a question you’ve never asked. Dream up a new nickname for yourself. Choose a new lucky number. Change the way you tell the story about an important event in your past. Make it a little more difficult for people to have you pegged. Eat a type of food you’ve never tried. Do the research necessary to discover why one of your opinions may be wrong. Add a new step to your grooming ritual. Feel appreciation for a person whose charms you’ve become numb to. Surprise yourself at least once a day.

Probably good things to keep in mind for everyone. Change is good, and sometimes it can be as simple as changing your attitude or trying to change your perspective. It’s not always big changes that are needed.

Altered Book: The Human Heart is a Fragile Thing

Altered book: The human heart is a fragile thing

My goal for the weekend was to work on another altered book which I happily managed to do. This time I wanted to try a new technique so instead of rolling pages I cut a niche into the book. In order to do this I first had to select something to insert into the niche to determine the size, shape and depth of the cut. I went with the brass bee wings which at one time was part of a doorknocker. I found it a few years ago behind the fridge (of all places) in my last apartment. The rest of the composition for this piece came together after the niche was cut and I spent a long time going through my collection figuring out what would work. I included another found object, the rusted metal wire, which is something I picked up on a walk and have been holding onto. I can see I’m going to be on the look out for more such things to use in future work.

This collage includes a glass heart, two lock mechanisms, a broken earring, a rusted metal wire, part of a brass doorknocker, rubber stamping and ink, sewing pattern paper and acetate (?) butterflies.

Ensnare

Ensnare

I’m a little behind with posting on my blog about the work I’ve been doing on the portrait-series-with-no-name. These two photos are from a shoot I did with Kirsti a few weeks ago in Pacific Spirit Park. We went into the forest looking for the perfect location, but the early evening light was too low. Instead I found just the spot I needed in the bushes at the edge of the road right where we’d parked. I love how this portrait turned out with the beautiful green leaves and Kirsti’s striking gaze.

Ensnare

I have to say that Kirsti is one of my favorite people to photograph because she’s very photogenic (despite her claims otherwise) and she’s game for the dressing up or stand here, stand there requests I make while shooting.

I should mention Kirsti’s work has been featured on the Canadian Design Resource Blog twice in the last week. Once for the “Octopus & Frigate Birds” Illustration she created for Lulu lemon, and once for the logo design she created for me.

Altered book – You’re only prey if the predator sees you

Altered book - You're only prey if the predator sees you

This is my second altered book, which I worked on in stages over the course of five days. It’s the gluing that takes the longest because I usually need to leave it to dry and set before I can move on to the next phase. I love making these because they require careful planning a few steps ahead, like putting the hanger on the back of the book before it’s even started, or knowing how many pages to leave unglued for rolling.

I decided to use the page rolling technique again even though there are about a zillion different ways to alter a book. The type and age of the paper makes all the difference in workability. This book’s pages were heavy and brittle which made it tricky to roll without ripping the corners.

The only thing I had in mind when I started was to cut into the rolled pages somehow and have the bits sticking up. The piece came together when I decided to use the wooden tiger and create a scene around him, with the cut pages as grass. The rabbit was added as an afterthought at the bottom because I felt it needed something to create more of a narrative and balance out the composition. I googled what do tigers eat? first to make sure tigers have rabbits (hares) as prey in their natural environment, and they do.

The tiger and rabbit came from a bag of wooden animals I picked up at a garage sale last year. I’ve been saving them for just the right thing. The collage also includes metal stars, Japanese paper, rubber stamping, ink, and metallic paper flowers.

When you come to the edge of all you see…

When you come to the edge of all you see...

The title is inspired by the following quote by Patrick Overton:

“When you have come to the edge Of all light that you know And are about to drop off into the darkness Of the unknown, Faith is knowing One of two things will happen: There will be something solid to stand on or You will be taught to fly”

I like this shot, but it ended up needing more post-production work than I’d originally intended. I don’t think that’s a bad thing, it’s just hard to see how this will fit in as the series evolves. The location of Jericho Beach park didn’t end up working well as a backdrop for what I had in mind, so I decided to shoot a new location to use instead. I went for an illustrated look, and I really wanted to capture an upbeat emotional quality, which is very different than my previous portrait of Susie.

Things are going well so far. I’ve actually ended up shooting these portraits more frequently than I’d originally planned. I’m working on the shots from session number three this week, and shooting session number four this weekend. Here’s hoping I can keep up the momentum…

Artist: Randel Plowman

Collage-A-Day: Randel Plowman

Randel Plowman is an artist who inspires me. He creates beautiful collages full of interesting bits of layered papers, and often his compositions include birds. I came across his work about a year ago on Drawn.ca. They made mention of his a-collage-a-day blog, which I found an amazing project because I was having a hard enough time producing one collage a week.

Randel does a great job of not only producing work but also making it available for sale. All the collages posted to his blog are $25, which includes archival matting, documentation of authenticity, and shipping. I think that’s a steal, especially for original art work. Over the time I’ve been subscribed to his blog, I’ve purchased two of his collages (pictured above) and they’ve become some of the favorite pieces in my little collection of art.

I think this is a great example of the internet making the work of artists more affordable and accessible to a wider audience.

Altered book collage

Altered book collage

I’m not sure about other artists, but I always seem to have a bunch of ideas in the back of my mind that resurface every once in awhile, but never quite make it to reality. I think some of these ideas aren’t meant to be, while a very few seem to be biding their time waiting until I eventually have the right knowledge and skills to make them happen.

I’ve wanted to create art from old books ever since I came across Tim Karpinski’s illustrations painted in a book in a Portland art show two years ago. I made a few attempts at using heat transfer paper to print my photos in books, but the paper was too delicate to take the high temperatures needed for the process and I wasn’t satisfied with the results. Since then I’ve taken up collage which has involved figuring out techniques and exploring an art form that is an alternative to taking photos. It is also more hands-on than photography tends to be these days. I think it was a direction I needed to take in order to learn how to work with the books in the way I wanted.

On the weekend I went to the grand reopening of RubyDog’s Art House and bought (among other things) “New Directions in Altered Books” by Gabe Cyr. It’s full of ideas for turning old books into interesting pieces of art and has inspired me to finally explore my thoughts on creating things from old books.

Today I experimented with my first one, which is featured in the photo at the top of this blog post. It’s pretty basic, and is really more of an experiment than anything, but it was oh-so-satisfying to make, and I want to do more more MORE! (Colour me excited.) The collage contains sewing pattern paper, a silver coin, locking mechanism parts, a metal bird, and a watch face. The red spiral pattern was created with a rubber stamp and ink. I also used gel medium to glue the edges of the pages, and wash of gesso along the edges.

Live as if you liked yourself, and it may happen

Shelter

Live as if you liked yourself, and it may happen:
reach out, keep reaching out, keep bringing in.
This is how we are going to live for a long time: not always,
for every gardener knows that after the digging, after the planting,
after the long season of tending and growth, the harvest comes.

~ Marge Piercy

The start of something new

I read somewhere that the periods in which inspiration and productivity run dry in the life of every creative person is as all part of the cycle of creativity. They are a necessary, though often frustrating and painful, part of how artists produce work and should be used as a “rest period’ in which to gather strength/thoughts/inspiration/whatever it is one needs to move forward into the next phase of work. It is much like the cycle of the seasons, with growth in some periods of the year eventually leading to dormancy and rest in others. It’s just not humanly possible to always be productive, and the creative muse likes her time off too.

It was with these thoughts in mind that I gave myself time off over the summer. It’s never my most productive time because there are so many distractions and I want to make the most of the gorgeous summer weather while it’s here. I decided I would ponder what I wanted to work on after the end of the 52 Weeks series of self portraits and begin something new in September.

Taking shelter

The above shot is the first in the new series and is inspired by the self portraits I took for 52 Weeks. I wanted to take some of the themes, ideas, and techniques I came up with in that series and apply them to portraits of other people. I’ve decided to concentrate on women as my subjects because I think my style is better suited to the feminine. My goal is to shoot one portrait about every week or two, which means planning ahead and being organized.

I’m excited about working on this and can’t wait to bring more of my ideas to photographic life.

Variations of film in a holga camera

Mannequins

When Boris and I were in Victoria earlier this year I came across the motherload of medium format expired slide film in a small camera store in Bastion Square. At first I was hesitant to buy it all because most of the film was 220 and I wasn’t sure I could shoot this in my holga. For those not familiar with film formats, medium format film come in 120 rolls which allows for 12 exposures or 220 rolls which allow for 24 exposures (this varies with the type of camera). The larger roll also doesn’t work with every medium format camera, at least that’s what I’d been led to believe. I went ahead and bought the lot deciding to take my chances because of the cheap price of four year expired film.

Mannequins

The shots I’ve included in this blog post were the first taken on the roll of 220 with a holga. As you can see, I had a lightleak and it went through the entire roll. With 220 film the whole camera has to be taped up, including the window at the back of the holga, because the film doesn’t have a paper backing the way 120 does. I’ll add more tape for next time. The trickiest part of shooting 220 is keeping track of the number of exposures because you can no longer see the numbers at the back, as well as being careful to count the number of clicks between frames.

For more detailed instructions on shooting 220 film go read “How to Use 220 film in a Holga.”

Mannequins