30 Days of Handmade Comes to An End

As I wrap up a month of sharing handmade items from my personal collection on Instagram, I thought I’d share a few more of these on my blog. It’s been challenging to keep up with this every day, and also take good photos of the pieces I’ve shared without going into an elaborate photo shoot.

Jasna Sokolovic O’Connell

Some of the things I realized as I did this is: I have a lot of ceramics and not just functional pieces like mugs, I have many unusual pieces of art in my collection, and there are many pieces I have had for ten years or more and I still love them (as it should be).

Melanie Elery

 

Aaron Moran

 

Cynthia Lyman (or Wyman?)

 

Julie Moon

The Eastside Culture Crawl happened a week or so ago and I acquired the beautiful painting below from Pilar Mehlis, and two tiny ceramics from Kayo Benson. So the collection continues to grow. It was love at first sight with the painting.

Pilar Mehlis

 

Sarah Pike

 

Sandeep Johal

 

Bullfinch Barbary

The enamel necklace above is one of the pieces I’ve had for more than ten years. I continue to wear this regularly and treasure it because the necklace is a very special piece. The series has been a great way to reflect upon the things I have, and a strong reminder to buy things I love with the intention of possessing them in the long term.

Progress On The Pattern Project – Part 2

I’ve been steadily working away on pieces for the pattern design project, and finished these two a few weeks ago. Each design seems to present new learning experiences with interesting surprises along the way.

Before I started, I assumed each of these would be relatively simple to cut, and maybe a little boring. But studying something up close for a few hours through the lens of paper cutting line by line brings with it an intimate knowledge of each new pattern I explore.

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Cutting the delicate flowers and leaves in the pattern above proved to be challenging but gratifying. The waves of lines in the pattern below seemed completely uninteresting to me until I started cutting and got cut up in the flow of them. Both have given me so much to think about in terms of new directions in my personal work.

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After finishing these two pieces I switched back to working on three more Islamic geometric patterns, and completed the third of three earlier today. That wraps up the cutting work I’d set for myself to reach before the end of November. Now I plan to assess next steps, and decide whether or not to add more to the project.

Artists To Visit During Culture Crawl 2018

The annual Eastside Culture Crawl kicks off this week, and I am looking forward to visiting my fellow artists in their studios. If you’re planning to attend here is a short list of recommended people to visit.

Crissy Arseneau – Mixed Media, Located at William Clark Studios, 1310 William Street

 

Sung Ah Cho – Ceramics, Located at Studio 218, 1000 Parker Street

 

Patrick Leach – Ceramics, Located at Octopus Studios, 393 Powell Street

 

Jules Loves Leather – Handmade shoes, Located at 1907 Triumph Street

 

Ehren Salazar – Drawing & Painting, Located at Williams Clark Studios, 1310 William Street

 

Antony Roland – Mixed Media, Located at The Arts Factory, 281 Industrial Avenue

To see the full list of 482 (!) artists visit the Eastside Culture Crawl website. It all begins this Thursday and runs through Sunday until 6pm.

Thirty Days of Handmade

I’ve been sharing a photo series of personal handmade objects collected over the years as a project on Instagram for the month of November. The focus will mostly be items I’ve bought myself rather than things I’ve been gifted, and includes handmade functional items as well as artwork. It’s been interesting to look around the apartment and select things to share.

I kicked things off with the fox head ceramic broach by Erin Paisley that I wear on my winter coat. I get compliments on it all the time from random strangers. I’m always surprised when people spot it as I walk past on the street.

The scratchboard owl above is by Andrea Hooge, the collection of fabric bookmarks below is by Japanese Fabric Creations SHINO, and the pen and ink kokeshi doll is by Sally Hutcheon (who doesn’t appear to have a website).

I decided to do this series because I was feeling blah about using instagram, but I also wanted to highlight handmade gifts as we make our way into the Christmas season. Maybe it will lead to sales for some of the people I will feature. Follow me on Instagram to see more of the series.

Progress on the Pattern Project

It’s a good thing I keep an on-going record of what I am working on with Instagram and my blog because it helps me realize how productive I have been lately. I’d been feeling unproductive, but looking back at my previous entry earlier in October about the pattern project I’d revived, I realized I’d done lots of work on it since then. I’m currently in the process of working on the sixth new one.

I switched things up last week and started cutting Islamic patterns. The two pictured here are the ones I have completed. These designs are even more time consuming and elaborate to cut than the series of Japanese textile patterns. So many lines!

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I enjoy working on these because the process of cutting is like examining the structure of the pattern under a microscope. My eye is a close as it can possibly get and I literally view the structure line by line.

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I finished the third new Islamic pattern paper cut earlier today, so now it’s time to assess what the next steps will be for the project. Cut more pieces?! Select a third series of patterns to add? Making decisions is part of the fun.

Paper Weight: Works in Paper by Elsa Mora

Elsa Mora is a multi-disciplinary Cuban-America artist and illustrator. I count her amongst my list of favourite artists for her ability to work in every type of material, and for her brilliant and unique craftswomanship with paper. I was thrilled to learn of her show in Eugene Oregon at the Jordan Schnitzer Museum of Art that opened in late August, and knew it was my best opportunity to see her work in person.

Boris and I made a long weekend road trip out of the visit and used Portland as our base rather than Eugene. The Jordan Schnitzer Museum of Art is located on the beautiful University of Oregon Campus and is a gorgeous old brick building (I forgot to take a photo).

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

The work in the Paper Weight exhibition explores different themes around the human mind, including mental health issues, and is broken into six sections representing cognitive categories: consciousness, perception, thinking, judgement, language, and memory. Every piece is highly detailed and is made from paper. I was so excited and inspired to see these up close and in person.

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

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Some of my favourite pieces were contained within two glass cases in the centre of the room. One Hundred and One Notions is a collection of small paper sculptures each representing a mental disorder with the overall theme of perception. I think these objects really showcase Elsa Mora’s skill with manipulating paper.

The museum published an excellent hard cover catalogue to accompany the show, and it includes photos of all the work and an interview with the artist herself. It’s a terrific addition to my collection of paper art books.

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

The photos below were taken in the gorgeous inner courtyard at Jordan Schnitzer Museum, which had mid-afternoon sun pouring in at the time.

Elsa Mora at the Jordan Schnitzer Museum of Art

Elsa Mora at the Jordan Schnitzer Museum of Art

The trip took an epic amount of travel to get there and back, but I think it was worth it. I came away from the show feeling inspired, and driven to push my own paper work in new ways. Paper Weight continues until January 20, 2019.

Restarting An Old Project Exploring Patterns

I recently decided to restart an old project I’d left unfinished from an artist residency at The Leeway Studio a few years back. I created a series of paper cut pieces exploring pattern design which focused on Japanese textiles and Islamic geometric designs. I’ve been thinking about this project for ages and wanted to do more work on it. I sometimes use the pieces as samples in my paper cutting classes, but they were always intended to become an installation.

Last week I cut the piece above to add to the Japanese collection of patterns, and today I cut one more. Below is an image of most of the completed ones from years ago. Each one has a cut area of 7.5″ x 5″ within a 8.5″ x 11″ piece of cardstock.

The final image below is the mock-up of three patterns with their borders folded into a box to make them three dimensional. This is how the overall installation will be and make the mixed patterns into a sort of 3D quilt.

I think part of the reason I am working on this old project again is because it’s always bothered me that I never saw it through to the end. I really want to show these, and the only way to make sure that happens, is to finally finish it.

Paper Cut Heart Translated to Wood

I did my final laser cutting session of the Tool for Women residency at MakerLabs last Friday, and reproduced this lovely heart design as a laser cut from bamboo ply. The original paper cut is below so you can see how well they match. It was probably one of the easier ones for me to trace and create a vector file from in Illustrator, so it’s no surprise at how well it turned out as a laser cut piece.

28 days of hearts

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It’s hard to get a sense of scale from the photos but the original is around 4.5 inches by 3 inches, and the wood version is 13.5 inches by 9 inches. The heart is from the series 28 Days of Hearts I worked on earlier this year.

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Now that the residency is over, I’m trying to figure out how to move forward and continue creating laser cut pieces of work, which is something I’ve been intending to do for ages.

Translating Interdimentional Loops From Paper to Wood

In my latest session with the laser cutter at Maker Labs last week I used the time to cut a more complicated design. The piece is based on a drawing I did over the summer (as part of the daily drawings on circles) and spent a considerable amount of time carefully tracing it in illustrator. When I started I did not realize how much work it would take to clean it up and turn it in a vector file worthy of laser cutting. The original is below.

I cut the piece from bamboo ply leftover from previous laser cutting projects from a few years ago. It looks striking in the wood, but the longer I examine it, the more I want to go back and tweak a few things with the composition. The piece is 16 inches in diameter, while the original drawing is 3.5 inches in diameter. My aim is to have one fabricated in a much larger size eventually.

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I have one final laser cutting session booked this Friday before the residency comes to an end, and I’m hoping to use it to try a cutting material I haven’t used before.