Hot Talks @ Hot Art Wet City: Bruce Alcock

The Hot Talks series continues in June at Hot Art Wet City with our latest speaker, Bruce Alcock. In his professional life Bruce is the Creative Director of Global Mechanic, as well as an award winning film maker and animator with a passion for music and fine art.

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I’m intrigued by the description of Bruce’s talk (below), and think it builds very nicely upon the themes explored by our first speaker in the series, Kim Werker. (Listen to her talk online if you missed it previously).

Your Self Out There:
Walking the spectrum from bullshit to truth in the creative life

From waiting tables to making art to advertising Coca-cola, Bruce Alcock looks over the last 25 years to examine who he is when he’s at home, or at a meeting table, or managing staff, or standing up and talking to a group of people in a gallery. Is client interaction performance, or are you simply who you are? In this age of digital self-representation, does your private identity change to sync with your public identity? The Onion’s headline “I am a Brand, Pathetic Man Says” points to empty self-representation, but any time you put yourself out there, you’re creating a persona that reflects your assumptions about the people you’re talking to, or working for, or just passing time with. From small talk (excruciating) to work talk (boring?) to letting out your inner beast, or weenie, or feather boa, what’s real and what’s not, what works, and what can you live with?

Bruce’s talk happens on June 25th at 7pm. Get your tickets online through Eventbrite. I hope you’ll join us.

Hot Talks: Bruce Alcock
Hot Art Wet City
Date: June 25th, 2013
Time: Doors 6:30, talk 7pm
Address: 2206 Main Street, Vancouver

Dream Boats

Dream Boats is the beautiful new children’s book illustrated by Kirsti Anne Wakelin and written by Dan Bar-el. I’ve been following the progress of the development of this book for the last few years, and can hardly wait to get my hands on a copy. The illustrations are lush, finely detailed, and filled with imagery to stimulate the imagination.

Take a look for yourself, and I’m sure you’ll agree.

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A description of Dream Boats from the Simply Read web site:

Where do children go when they close their eyes to sleep?
They step onto their dreamboats and sail toward adventure.
From Maiqui in the Andes floating through the constellations, to Aljuu paddling along the shores of Haida Gwaii with Eagle, Orca and Black Bear, to Ivan sailing into St. Petersburg, then sneaking between the bony legs of Baba Yaga, stories and memories lead them on.
Dream Boats takes readers into the dreams of children around the world, dreams that are filled with family and legends, culture and love.

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There are so many lovely details to this book. From the end pages filled with instructions on how to fold your own paper boat, to the flying fish swooping off the credits page, and the beautifully designed barcode on the back of the book.

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Dream Boats has its official launch next Thursday June 13th at Christianne’s Lyceum of Literature & Art in Vancouver. Dan and Kirsti will be in attendance, and copies of the books will be available for purchase.

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All photos courtesy of Kirsti Wakelin

Snapfish Photo Books as Portfolio

One thing I’ve been wondering lately is whether or not an artist still needs to maintain a print version of their portfolio or does digital suffice. I have no idea what the right answer to this is, but I decided it couldn’t hurt to have something in print. Rather than doing this photographically and inserting the prints into a a traditional (but boring) black portfolio case with plastic sleeves, I decided to make a digitally printed photo book.

I chose Snapfish because it came recommended by my friend Valerie Arntzen. She uses the service to print books on an annual basis to keep a record of the work she’s created over the course of each year.

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Snapfish book

Snapfish has a good variety of formats and sizes for their photo books. I chose the 5″ x 7″ Everyday Book, which costs $12.99 per copy and comes with a paper cover in your choice of colour. The book layout is created by using a browser-based interface, which takes a bit of experimenting with to get a feel for, but is fairly easy to use.

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A big reason I chose Snapfish over other photo book services is because they have a Canadian website and reasonable prices for shipping to Canada. I had my books within a week of ordering, and the shipping cost $10. I’ve used Blurb Books in the past and their shipping costs were higher and the order took longer to arrive.

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The print quality is excellent, and the work looks good and reads well despite the small size of the pages. I’m very happy with these little books and will definitely use Snapfish again to make more printed collections of my work.

More Scenes from Bowen Island

A few photos from a lovely long weekend on Bowen a week and a half ago. It was a good time for bird watching, as you can see from some of the photos.

North Shore mountains from Howe Sound

There were two Anna’s Hummingbirds constantly visiting the feeder. The view of them was excellent since it’s located just outside the window beside the kitchen table. They are amazing little birds.

Male Anna's Hummingbird

Male Anna's Hummngbird

Male Anna's Hummingbird

The Canada Geese had taken over the Lagoon with their horde of goslings. There were at least thirty of them in one group, watched over by multiple parents. Gosling daycare I suppose.

Goslings and parents

Goslings

Bowen Island a place where there are lovely things to see, rain or shine.

Rain drops on the water

Shortlisted for Ironclad Art

Ironclad Art is a competition put on by the City of Vancouver challenging people to come up with new manhole cover designs. As of the deadline in mid-April they received over one thousand submissions, all of which you can view online. Last week I was pleased to learn my work was selected as one of the top twenty-five finalists. Woot!

I chose to create one of my intricate paper cut designs (pictured here), and I would dearly love to see this immortalized in metal. Even if it isn’t chosen as the finalist, it’s still pretty cool to make the shortlist.

Ironclad Art. Rachael Ashe design

As part of the competition there is a People’s Choice award. Please help me out and vote for my design. Winners of Ironclad Art will be announced this Saturday June 1st. I can hardly wait.

Hot Talks: Sometimes It Ain’t Pretty by Kim Werker

The speaker series I am curating at Hot Art Wet City gallery kicked off last Tuesday evening with a talk by Kim Werker. It was a terrific talk centered around the value of failure and imperfection which led to an interesting discussion afterwards.

Lucky for those who missed it, Chris filmed the whole thing and you can watch it here:

Kim Werker speaking at Hot Art Wet City (May 21, 2013) from bentzen on Vimeo.

The series, now titled Hot Talks, continues on June 25th with Bruce Alcock. More details about it, and to grab tickets, on the Hot Art Wet City web site.

Barbara Cole and the Value of Learning by Doing

Last week I attended an artist talk by Barbara Cole at Bau-xi Gallery, and it has left me with a whole jumble of different thoughts. I’m hoping I can sort out at least a few points here.

Barbara Cole is a fine art photographer I have admired since my days in Toronto. She creates dream-like imagery of the female form, and over the last ten or so years has been focused on underwater photography.


More videos can be found here.

In her artist talk she took the audience all the way back to the beginnings of her career, and how through luck and circumstances she ended up as fashion editor for the Toronto Sun. Cole told this hilarious story of her very first assignment with the Sun, which was to cover Fashion Week in Paris. An unfortunate miscommunication left her without proper access to any of the shows, so at twenty years old she had to come up with a solution and boldly make her way, or risk not meeting deadlines and failing.

What I loved most about Barbara Cole’s talk was her willingness to admit most of the time she didn’t know what she was doing. Few people will admit to this publicly because it puts them in a vulnerable place, but really most of us don’t know what we’re doing more than half of the time. I wish more people would make this statement so we can all be okay with it. It’s not a bad thing to not know what you’re doing because this is an opportunity for learning. Cole’s solution to her lack of knowledge was exactly this: she simply taught herself what she needed to know.

Much of what was said by Barbara Cole was a good reminder of the value of learning by doing. She has done it for her entire career and it has served her well. As a self-taught artist I sometimes feel insecure about my abilities, as if they are less valid than someone who has an MFA or BFA in fine art. But then I realize even the most educated of artists needs to buckle down and go beyond what they’ve learned in school in order to fully evolve as an artist. I skipped art school (which would not have been a good fit for me) and went straight to the in-studio professional development phase of my artistic career. My work has matured by leaps and bounds over the last few years because of this dedication.

I admired Cole’s work before the talk, but now I think highly of her as a woman. She’s in her fifties, but comes across as a much younger person. She’s had a long and distinguished career, continues to create inspiring work, and explores new aspects of her fascination with underwater photography. Barbara Cole comes across as someone content with her life, relaxed with who she is.

It was refreshing to be in the presence of a confident woman. And perhaps it is this most of all I walked away with from the talk. The idea of not just the artistic career I aspire to, but the type of woman I want to be as I get older.

Found Objects: Recommended Internet Reading

In my monthly newsletter I always share three or four links to items I’ve come across that have inspired me. I call the section, “Found Objects”, and I’ve decided to try and continue the same thing here on my blog.

For your May long weekend reading pleasure, I present a few items you should check out:

  • Mixed media artist, Carlyn Yandle, writes one blog post a week about art. Each one is well-written, thoughtful, and insightful.
  • Ditto for blog posts written by M.A. Tateishi, another Vancouver artist with excellent writing skills.
  • Money Money Money, a series of blog posts by Kim Werker on money struggles for the creative person. It was inspired by a letter I wrote to her.
  • A beautiful post about body image and confidence by Vivienne McMaster. It speaks strongly to how women tear themselves down, but can also build themselves up.

Have yourself a relaxing long weekend.

When Work Goes Awry

The saying goes, “when life hands you lemons, make lemonade”. But what should an artist do when a piece of art with hours of work already invested into it starts turning to lemons?

I don’t often find myself in this type of situation because I am a process-driven artist and I don’t have a specific result in mind from the start. I am interested to see how something will evolve as I work. But once in awhile things still go awry.

Paper Cut Vessel

Paper Cut Vessel - Cylinder

The two cut paper vessels that I’m sharing in this blog post began life as a single piece of 19″ x 25″ black paper. My intention was to make a large rectangular structure I could hang from the wall. The more I worked on it, the less I liked it. I realized I was happy with the paper cutting but the structure was too boring. It also reminded me too much of a decorative designery thing for candles that someone would buy from Crate & Barrel.

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Paper Cut Vessel - detail

I decided to salvage the situation by cutting the paper in half with the idea I would create smaller individual structures from each piece. I couldn’t leave it as one piece because I’d already scored the paper for folding into a rectangle.

Paper Cut Vessel - detail

I’d left an uncut edge along one side of each piece so I could attach a piece of paper and create a bottom to the structure. The first strip of cut paper became a wide cylindrical shape. It’s about eight inches in diameter and nine inches at the tallest point.

Paper Cut Vessel - Three Curves

Paper Cut Vessel - Three Curves

With the second strip of cut paper I decided to aim for an irregular structure. I had the piece of paper curve around three circles as the bases and wound up with what you see here. It was an experiment, and the end result is a bit wonky but interesting.

Paper Cut Vessel - Three Curves

Paper Cut Vessel - Three Curves

As a side note, the paper I used for these was a bit lighter than I normally work with and I think it may be a bit too delicate for creating more structural pieces. Working with black was also a nice change from all the white I’ve been doing lately.

Paper Cut Vessel - Three Curves

Thank goodness this piece was flexible enough to salvage and transform into something else. I think what I’ve ended up with has turned out to be much more interesting than my original idea.

Oh Look! A Spiffy New Online Portfolio

This is a really big deal to me but I seem to have forgotten to mention it anywhere, and its been live for weeks. I have a brand new online portfolio for the first time evah! The many different types of work I create, from portraits to paper, are all nicely organized and looking quite impressive together as a whole.

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While this blog remains in wordpress the portfolio is built with Behance ProSite. I was really tired of my work looking bad in the half-assed galleries I’ve had on the blog for years, and really wanted something more professional looking.

I chose Behance because I use their free site to share my work with a larger creative community and the ProSite pulls my projects in from there. I like this aspect of having my work in multiple places at once. The interface is relatively easy to use and the templates are straightforward and simple enough to cleanly show off my work. Check it out as Behance ProSite is free to use until you choose to publish your site.

For your viewing pleasure, find this visual treasure trove of my work at portfolio.rachaelashe.com. Peruse at your leisure, and share it both freely and widely.